Toronto’s Triple Success

If a recent trio of musically superlative performances at Canadian Opera Company is indicative of their norm, the casting director should get a hefty bonus.

Alessandro Scarlatti’s Il Trionfo dell’Onore

Just when you imagine you’ve got the operatic time-line fixed in your mind
in a clean sweep of what goes where and when and how, you hear another work
from another forgotten corner of the repertory that upends one’s conclusions.

Handel’s Rodrigo by Operamission

Nothing inspires fable quite like defeat. The great riddle of Spanish
history is how the Christian Visigoths managed to lose the Iberian peninsula to
the Moors in one small battle in 711 and took eight hundred years to get it
back.

“Marriage” at the Los Angeles Philharmonic

Take a pair of peripatetic, sharp witted, libidinous dramatists with deeply
humanist hearts, add a brilliant, fun loving young composer, who believed in
forgiveness, and you end up with The Marriage of Figaro, a comic,
always relevant opera, which the Los Angeles Philharmonic Orchestra presented
in Disney Hall, as part of its Mozart/DaPonte series.

Tales from Ovid: Classical Opera

Since receiving some fairly mixed reviews of their production of Mozart’s
Zaide at the 2010 Buxton Festival, Ian Page’s Classical
Opera
seem to have focused their attention on recordings and themed
concert performances of 18th-century riches and rarities,

Baltimore Premieres Camelot Requiem

In May of 2013, the Spire Series at the First Presbyterian Church in Baltimore, Maryland, observed the fiftieth anniversary of the death of President John F. Kennedy by presenting a work dealing with the 1963 assassination.

Domingo Conducts Holdridge’s New Opera Dulce Rosa

Dulce Rosa, a brand new opera, had its world premiere Friday night, May 17, 2013 at the Broad Stage in Santa Monica, California. It was produced by Los Angeles Opera, but staged in the smaller theater.

Verdi’s Falstaff at Glyndebourne

Richard Jones’ 2009 production of Verdi’s Falstaff translates the action from the first Elizabethan age to the start of the second.

Gareth John, Wigmore Hall

Baritone Gareth John is rapidly accumulating a war-chest of honours. Winner of the 2013 Kathleen Ferrier Award, he recently won the Royal Academy of Music Patrons’ Award and was presented the Silver Medal by the Worshipful Company of Musicians.

La bohËme at ENO

This second revival of Jonathan Miller’s La bohËme was the first time I had caught the production.