Mozart and Gluck — Mixed Results at Santa Fe

It is never easy to revive a success. Audiences will remember the first run of a show and consciously or not, compare a revival with earlier favorable impressions.

Verdi: Falstaff

Those opera lovers prone to rage at the perceived dominance of the director in their beloved art form today may collapse in apoplexy at this first release from the company called SignumVision.

And If The Song Be Worth A Smile — Songs by American Composers

The word “living” would be a fitting addition to the subtitle of this collection of “Songs by American Composers.”

Sir Harrison Birtwistle: Mask of Orpheus at the Proms

What drives Harrison Birtwistle to Greek myth? Orpheus is a primal archetype. When he played his lyre he tamed wild beasts and made mountains move. But he suffered. He journeyed into Hades but could not bring Eurydice, his beloved, back to life. In some versions of the myth, his talent enraged the jealous who tore him apart. Yet even then, his head remained intact, still singing. He symbolizes the power of music, and the fate of an artist.

Bellini: Norma

“An all-American Norma,” Roger Pines calls this release in his entertaining booklet essay.

Monteverdi: L’incoronozione di Poppea

This excellent production of Monteverdi’s final (premiered in 1643) and most problematic opera features first-rate singing and a very effective (and restrained) staging.

Semiramide at Caramoor

You need three or, ideally, four top-flight bel canto specialists to do anything like justice to Rossini’s Semiramide, his last and grandest Italian score. Otherwise why go to the expense?

Discovering Masterpieces of Classical Music — BÈla BartÛk: Concerto for Orchestra

In the Euroarts series Discovering Masterpieces of Classical Music: Documentary & Performance, the volume devoted to BÈla BartÛk’s Concerto for Orchestra stands out as a particularly accessible and well-executed release.

Donizetti: L’Elisir d’amore

For adherents of the prima voce school of opera appreciation, this Laurent Pelly production of Donizetti’s comic masterpiece may not hold that much appeal.

On deception at Sferisterio Festival, Macerata, Italy

L’inganno is this year’s theme at the Sferisterio Festival in Macerata, Italy.