Category: Reviews

When these recordings first appeared during the mid-sixties, there was some eye batting. Why did Deutsche Grammophon bring these recordings on the market?

Bach’s famed career as an organist, his prolific output of church cantatas, and his personal piety, all conspire to keep the image of the churchly Bach front and center in the modern mind, despite the enduring familiarity and popularity of Brandenburg concertos, sonatas, and suites.

For those without much time to read reviews, I can be extremely brief: hurry and buy this DVD. For all the others: the same advise though maybe they want to know the reasons for such a purchase.

Calixto Bieito has made his name as an opera director with productions of unrelenting violence and sex, perhaps exemplified by last year’s Abduction from the Seraglio in Berlin with its full nudity and graphic mutilations.

Enescu’s Oedipe has always been a rarity outside his native Romania.

Last year was the 60th anniversary of Mascagni’s death. When I wrote a big commemoration article for a Dutch operatic magazine, I wondered if we would ever hear a full version of the 18-year old Mascagni’s first work: a cantata called “in the weaving mill.”

Even if this recording were a failure (which it isn’t), it is indispensable on account of its inclusion of about 90 seconds of music not present in the only other studio recording.

After happily scanning the rarity-filled repertoire on this disc, and considering the unusual program order, with sets of songs by Enescu, Chausson, and Debussy alternating with sets by saloniste Reynaldo Hahn, I visualize this recital as an exquisite hour in Hahn’s salon, with three guest composers present, exchanging ideas with their host.

Albert Lortzing has suffered much lately. Artistically speaking, he is somewhat moribund. In a recent article in the German operatic magazine, Orpheus, one writer rightfully complained that the once so popular composer has almost disappeared from the German theatres.