Category: Reviews

Jone is the only Italian opera from the 1850s by a composer other than Giuseppe Verdi to make it into the standard repertory for a period of well over 50 years, lasting until the onset of World War I before eventually disappearing.

In the modern performance of seventeenth-century French music, the ensemble Les Arts Florissants holds a special place, both for its longevity and the striking stylistic fluency it brings to performances — performances that have come to define our very sense of French Baroque style.

Dans un parfum de roses (“Within the scent of roses”), is the fourth and final volume of the Complete Songs of Gabriel FaurÈ issued by Hyperion.

All is right and good in the world of opera as long as the Arena di Verona puts on vivid productions, in questionable taste, with impassioned singers pouring out the volume, in questionable taste, and the audience roaring its approval – in questionable taste.

Here is another handsome production of an early Rossini one-act comedy from the Schwetzingen festival, held at the charming and tiny Rokoko theater in May 1990.

In recent years the Sixth Symphony of Gustav Mahler has gained some prominence with the declaration by the internationale Gustav Mahler Gesellschaft about the only correct order of the internal movements, a position that has inspired some discussion among enthusiasts.

The booklet somewhat proudly tells us that “a modern Italian opera-going public would likely walk out in horror if confronted with the avant-garde productions of many German opera houses.

Frank Sinatra had Reprise. The Beatles had Apple. Madonna has Maverick. And Edita Gruberova has Nightingale.

Joe Dubiel is a well known and accomplished music theorist, affable, pleasant in demeanor, learned and astute, and above all friendly in a field that has its thorns and brambles.