We are reasonably sensitive, I suspect, to the number of ways in which venue can shape the nature and success of musical performance.
Category: Reviews
BELLINI: Norma
The best Norma on DVD treats the viewer to a blurry picture of washed-out colors and remote, compressed sound.
Katarina Jovanovic ó Songs by Brahms, Strauss, Schubert
In her debut recording the young Roumanian soprano Katarina Jovanic demonstrates her talent in performing an intriguing selection of Lieder by Schubert, Brahms, and Strauss.
ROSSINI: MoÔse
Myto does many an opera-lover a service by offering this enjoyable recording of Rossini’s French grand opera, here called Moïse.
HAL…VY: La Juive
For a period of close to half a century, French grand opera, as exemplified by the works of Giacomo Meyerbeer and his school, was the preferred form of music for the theatre (i.e. opera) in most of the civilized world.
MONTEVERDI: Il Sesto Libro de Madrigali
It is somewhat ironic that until recent years Italy has generally been slow to take a leading role in the historical performance movement: ironic in that historically Italy both dominates and defines the early baroque style and ironic in that that style enshrines the primacy of textó the Italian text.
WAGNER: Tristan und Isolde
I should probably preface my reaction to this release by confessing to the heretical belief, at least from a Wagnerian perspective, that Tristan und Isolde is not really a stageworthy opera.
CIMAROSA: Cleopatra
The first thing I noticed in the liner notes was the bold print claiming Cimarosa was born in 1797 and died in 1848, which correspond exactly with Donizettiís lifespan.
Old Music In a New Home ó WNO stages a brand new production of Monteverdi’s “Ulysses”
In his introduction to the Welsh National Opera’s celebratory 60th anniversary season programme Carlo Rizzi, their Music Director, declares that “we are bringing the best of Wales to the rest of the world ó and the best of the world to Wales”.