Category: Reviews

Since its inception in 1980, the biennial Boston Early Music Festival has grown to international stature of the first rank, and while its programming is diverse in scale and repertory, its focus in recent years has been on full-scale productions of baroque opera, including Monteverdiís LíOrfeo, Rossiís Orfeo, Cavalliís Ercole Amante, Lullyís ThÈsÈe, and this past summer, Matthesonís Boris Goudenouw.

For the most part, the posthumous reputation of Felix Mendelssohn (1809-43) resides on the composerís instrumental works and of all his vocal music, his two oratorios, Elias and Paulus are familiar to the general public.

Since 1995 the mezzo-soprano Brigitte Fassbaender no longer performs as a singer, but has devoted her recent career to directing.

With this CD, Naxos continues its well deserved reputation for producing recordings at affordable prices, and more often than not, but not limited to, music that is rarely performed, or with a limited audience.

The Very Best of Thomas Hampson is an excellent selection on CD of Hampsonís recordings from various points in his career. The American baritone is one of the international stars of classical music for both his roles on the opera stage and his work as a recitalist.

This is one of the most enchanting and lovely ballet performances that I have ever seen, and believe me I have seen quite a few! First performed in Paris on May 12, 1832, La Sylphide marks the advent of Romanticism in ballet.

On Christmas 1999, the Monteverdi Choir and English Baroque Soloists with conductor Sir John Eliot Gardiner set out on one of the most unusual musical tours ever undertaken.

J. S. Bachís large output of church cantatas and their prominence in his duties as Kantor at the Thomaskirche in Leipzig have made them central to our modern understanding of Bach.

Gustav Mahlerís Fifth Symphony is a tour de force that can tax a conductor and orchestra in live performances. While it often takes several sessions in the studio for performers to match the required intensity of playing with exuberance that is also part of the work, some live performances convey that fine balance immediately.

Yiddish is a language based on medieval German that developed separately from modern German. It spread throughout Eastern Europe, where it acquired words from Hebrew, as well as Russian, Polish, and other Slavic languages.