Semele, Canadian Opera Company

You never can tell. I would never have predicted which opera would be my favourite of the seven operas programmed this season by the Canadian Opera Company.

Billy Budd — Metropolitan Opera

The Met saved the best of the season for the end of it, revivals of their first-rate productions of two twentieth-century masterpieces, J·naček’s Makropoulos Case and Britten’s Billy Budd.

Damrau Dazzles in Geneva

It is not long into Act One of Mignon at Geneva’s Grand Theatre when Diana Damrau glides on stage as Philine, commands our rapt attention, and sweeps all before her.

VÈronique Gens, Wigmore Hall, London

VÈronique Gens’s recital at the Wigmore Hall, London, was an almost ideal distillation of the belle Èpoque in song.

BartÛk and Szymanowski, Barbican Hall

In this, the second of two LSO concerts in which PÈter Eˆtvˆs replaced
Pierre Boulez, one continued to feel the loss of the latter in his repertoire,
yet one equally continued to value his replacement, very much his own
man.

My Big Fat American Moustache: A Wartime CosÏ Fan Tutte

An energetic and exceptionally entertaining production of CosÏ fan tutte sung in English and set during World War II, when the Americans often got the girls.

Philip Glass: Einstein on the Beach, Barbican, London

Any performance of Philip Glass’ epic Einstein on the Beach (1976) is a major event. The work’s duration is around five hours and it is directed to be performed without interval (although see below — we had one).

The Barber of Seville, San Diego

Pierre Augustin Caron de Beaumarchais’ classic play The Barber of
Seville
, set by Rossini to perfectly paced and irresistibly comic music,
was first performed in Rome in 1816, and remains one of the world’s favorite
operas.

The Kathleen Ferrier Awards 2012

This year’s Kathleen Ferrier Awards final was both a competition and a
celebration, marking as it did the centenary anniversary of the great singer’s birth.

Daughter of the Regiment, Manitoba Opera

Manitoba Opera laid aside all stereotypes about opera being stuffy and inaccessible with its feel-good production of Donizetti’s 1840 comic opera Daughter of the Regiment.