Karlsruhe Tosca: Guns ‘n’ Jesus

Badisches Staastheater’s production of Tosca starts off with a bang.

Paris: ‘Maler’ or ‘Malheur’?

No one could accuse the Paris Opera of pinching pennies (or Euro cents) in their lavishly expansive (and expensive) staging of Hindemith’s Mathis der Maler.

Wagner Tannh‰user: Royal Opera House, London

The Royal Opera House itself is the star of this new production of Richard Wagner Tannh‰user. An intriguing twist on an opera that pits orgiastic excess against purity, pleasure against morality.

La BohËme, New York

Perhaps the most unexpected occurrence of the evening was the malfunction of the Act I-Act II set change.

Die Walk¸re at La Scala

The opening night of the new season at Teatro alla Scala Milan is a gala event, the most glamorous in the entire Italian opera year.

Magic Flute, Phoenix

Wolfgang Amadeus Mozart and Emmanuel Schikaneder had known each other for some time before they wrote The Magic Flute.

Cecilia Bartoli at the Barbican Centre, London

Cecilia Bartoli is something of a phenomenon, capable of attracting an enthusiastic capacity crowd.

Handel’s Alcina at Barbican Centre, London

The Barbican’s Great Performers season often acts as a receiving house for continental opera productions, thus giving us in London a chance to hear interesting performances without actually having to travel.

A Midsummer Night’s Dream, Opera Australia

Transplanting Britten’s Shakespeare opera to an Indian setting seems at first an illogical step by Hollywood director Baz Luhrmann.

Die Entf¸hrung aus den Serail, Queen Elizabeth Hall, London

With its tricky ‘orientalist’ connotations, Singspiel-originating spoken dialogue, not to mention the problem of finding five outstanding singers who can cope with the considerable demands of the solo roles (and the commercial challenge presented by the need to pay a chorus who sing barely a few bars of music), Mozart’s Die Entf¸hrung aus den Serail does not receive as many stagings as it deserves.