The last curtain call at the opera usually goes to the title character, the star of the work just performed. At the end of the Met’s new Boris Godunov, the calls begin with a solo call for the title character, RenÈ Pape as Boris, and conclude with one for the Metropolitan Opera Chorus all by themselves.
Category: Performances
Gilbert and Sullivan opens Arizona Opera
On 16 October 2010 in Tucson, Arizona Opera opened it’s 2010-2011
season with an operetta, The Pirates of Penzance, by W. S. Gilbert and
Arthur Sullivan.
Jerry Springer, The Opera in San Francisco
The fall opera season in San Francisco has been dealt a wild card — Jerry Springer, The Opera! Not exactly material for SF’s august opera company . . .
Il Postino at Los Angeles Opera
An American opera house premieres a new work by a Mexico-born composer, to his own libretto in Spanish based on a film in Italian by an English director about an unlikely friendship the Chilean poet Pablo Neruda found when in exile on a small Italian island.
Paris: La Saison a CommencÈ
Paris OpÈra’s L’Italiana in Algeri had a lot going for it, including a star mezzo in her local debut, so why was I resistant to its merits?
Rameau’s ZÈphyre, New York
In sports they say, “Winning isn’t the most important
thing—it’s the only thing.” In the theater, getting the show
on the boards out front is the key.
Jephtha, New York
Jephtha was Handel’s last work — he went blind while
composing it, noting this on the manuscript, and though he lived another seven
years, did not deign to dictate new music.
Rigoletto at Covent Garden
Dame Joan Sutherland, ‘La Stupenda’, sang her first Gilda at Covent
Garden in 1957 under the baton of Sir Edward Downes, and sang the role many times and to great acclaim on the ROH stage.