Ossia I Vespri Siciliani takes its name from the evening prayer to which the faithful are called by the ringing of bells. Specifically the bells of Verdi’s Sicilian vespers signal…
Category: Staged Operas
Kát’a Kabanova in Rome
The Opera di Roma marks the centenary of Janacek’s intimate domestic tragedy Kat’a Kabanova with a new cast for Richard Jones’ prize winning, 2019 Covent Garden production. Reportedly spell binding…
Le nozze di Figaro at the Royal Opera House
As an exploration of 18th-century class structures Le nozze di Figaro is a timeless classic which no number of revivals will diminish. With its thumb-nosing at society’s upper echelons, it’s no…
Florencia en el Amazonas at Lyric Opera of Chicago
For its final production during Fall 2021, Lyric Opera of Chicago staged Daniel Catán’s Florencia en el Amazonas with Ana María Martínez in the title role of the diva confronting…
A stirring Nabucco at Covent Garden
The run-up to curtain-up wasn’t auspicious. The Royal Opera House prefaced this opening night of the revival of Daniele Abbado’s 2013 production of Nabucco with an earlier announcement that the…
Puccini’s Tosca at the Royal Opera House
Jonathan Kent’s production of Tosca has been running at the Royal Opera House since 2006; this is its ninth revival. It is no surprise it is still there in repertoire.…
An RAM double bill: Ravel’s L’Heure espagnole and Puccini’s Gianni Schicchi
How wonderful at last to return to opera at the Royal Academy of Music. (I caught an excellent concert of chamber music by Bartók and Eötvös from musicians coached by…
A patriarchy-punching Magic Flute directed by Polly Graham at the Royal College of Music
At first glance, Polly Graham’s decision to set Mozart’s The Magic Flute in a secondary school seems an inspired one. After all, in Schikaneder’s journey from darkness to light the…
Cosi fan tutte in San Francisco
Cosi fan tutte (1790), the little sister of the Mozart Da Ponte trilogy, was mounted last night in the same set used by its older brother The Marriage of Figaro…
ENO’s Valkyrie fails to catch fire: an under-ambitious start to Richard Jones’s Ring Cycle
Very little exists in a visual way of Wieland Wagner’s Bayreuth Die Walküre from the mid-to-late 1960s. What does, largely requires us to use our imagination. It is something which…