Category: Recordings

In recent years the few recordings of Mahlerís Lieder with piano accompaniment demonstrate the delicacy of the music in this format and its connections traditional Romantic Lieder. To such fine examples as those by Stephan Genz (on Hyperion) and Thomas E. Bauer (on Ars Musici), Konrad Jarnot is a fine addition.

Once hailed by the Nazis as a symbol of Aryan supremacy, Carmina Burana has come to be recognized as a powerful expression of the gluttony and depravity present in a medieval, pagan society. An effective performance of Orffís musical adventure must allow audiences to envision the ìimagines magicae,î or magical images conveyed through the convergence of music and choreography.

Konrad Jarnot is a young baritone who brings a wonderful vitality to the music he has recorded. He also has another Oehms release, a selection of Lieder by Gustav Mahler, which is engaging for the strong sense of line he brings to that repertoire, which is precisely what he brings to this collection of French vocal music.

The biographies of the two composers whose works are represented on this disc, Sergei Prokofiev and Ottorino Respighi, share many common threads. In addition to moving in similar circles early in their lives (for example, both studied with Rimsky-Korsakov and both were later connected with Diaghilev), they similarly composed in totalitarian regimes at the end of their careers.

Since its inception in 1980, the biennial Boston Early Music Festival has grown to international stature of the first rank, and while its programming is diverse in scale and repertory, its focus in recent years has been on full-scale productions of baroque opera, including Monteverdiís LíOrfeo, Rossiís Orfeo, Cavalliís Ercole Amante, Lullyís ThÈsÈe, and this past summer, Matthesonís Boris Goudenouw.

For the most part, the posthumous reputation of Felix Mendelssohn (1809-43) resides on the composerís instrumental works and of all his vocal music, his two oratorios, Elias and Paulus are familiar to the general public.

Since 1995 the mezzo-soprano Brigitte Fassbaender no longer performs as a singer, but has devoted her recent career to directing.

With this CD, Naxos continues its well deserved reputation for producing recordings at affordable prices, and more often than not, but not limited to, music that is rarely performed, or with a limited audience.

The Very Best of Thomas Hampson is an excellent selection on CD of Hampsonís recordings from various points in his career. The American baritone is one of the international stars of classical music for both his roles on the opera stage and his work as a recitalist.

This is one of the most enchanting and lovely ballet performances that I have ever seen, and believe me I have seen quite a few! First performed in Paris on May 12, 1832, La Sylphide marks the advent of Romanticism in ballet.