AntonÌn Dvo?·k Requiem op.89 (1890) with Jakub Hr?öa conducting the Prague Philharmonic Orchestra. The Requiem was one of the last concerts Ji?Ì B?lohl·vek conducted before his death and he had been planning to record it as part of his outstanding series for Decca.
Category: Recordings
Schumann Symphonies, influenced by song
John Eliot Gardiner’s Schumann series with the London Symphony Orchestra, demonstrate the how Schumann’s Lieder and piano music influenced his approach to symphonic form and his interests in music drama.
Unusual and beautiful: Mirga Graûinyt?-Tyla conducts the music of Raminta äerkönyt?
Mirga Graûinyt?-Tyla conducts the music of Raminta äerkönyt? with the Kremerata Baltica, in this new release from Deutsche Grammophon.
Diana Damrau sings Richard Strauss’s Vier letzte Lieder on Erato
“How weary we are of wandering/Is this perhaps death?” These closing words of ‘Im Abendrot’, the last of Richard Strauss’s Vier letzte Lieder, and the composer’s own valedictory work, now seem unusually poignant since they stand as an epitaph to Mariss Jansons’s final Strauss recording.
Vaughan Williams Symphonies 3 & 4 from Hyperion
Latest in the highly acclaimed Hyperion series of Ralph Vaughan Williams symphonies, Symphonies no 3 and 4, with Martyn Brabbins and the BBC Symphony Orchestra, recorded in late 2018 after a series of live performances.
Bach’s Christmas Oratorio with the Thomanerchor and Gewandhausorchester Leipzig
This Accentus release of J.S. Bach’s Christmas Oratorio, recorded live on 15/16th December 2018 at St. Thomas’s Church Leipzig, takes the listener ‘back to Bach’, so to speak.
Retrospect Opera’s new recording of Ethel Smyth’s FÍte Galante
Writing in April 1923 in The Bookman, of which he was editor, about Ethel Smyth’s The Boatswain’s Mate (1913-14) – the most frequently performed of the composer’s own operas during her lifetime – Rodney Bennett reflected on the principal reasons for the general neglect of Smyth’s music in her native land.
A compelling new recording of Bruckner’s early Requiem
The death of his friend and mentor Franz Seiler, notary at the St Florian monastery to which he had returned as a teaching assistant in 1845, was the immediate circumstance which led the 24-year-old Anton Bruckner to compose his first large-scale sacred work: the Requiem in D minor for soloists, choir, organ continuo and orchestra, which he completed on 14th March 1849.
Emmerich K·lm·n: Ein Herbstmanˆver
Brilliant Emmerich Kálmán’s Ein Herbstmanöver from the Stadttheater, Giessen in 2018, conducted by Michael Hofstetter now on Oehms Classics, in a performing version by Balázs Kovalik.
Liszt Petrarca Sonnets complete – AndrË Schuen, Daniel Heide
An ambitious new series focusing on the songs of Franz Liszt, starting with all three versions of the Tre Sonetti del Petrarca, (Petrarca Sonnets), S.270a, S.270b and S.161 with AndrË Schuen and Daniel Heide for Avi-music.de.