Songs by Zemlinsky

While not unknown, the songs of Alexander von Zemlinsky (1871-1942) deserve to be heard more frequently.

Gustav Mahler: Lieder eines fahrenden Gesellen, R¸ckert-Lieder, Kindertotenlieder.

Recorded on 5 and 6 May 2008 and 17 and 18 January 2009 at the Lisztzentrum (Raiding, Austria), this recent Bridge release makes available the piano-vocal versions of three song cycles by Gustav Mahler, Lieder eines fahrenden Gesellen, R¸ckert-Lieder, and Kindertotenlieder performed by mezzo-soprano Hermine Haselbˆck, accompanied by Russell Ryan.

Kathleen Ferrier: A Film by Diane Perelsztejn

Contraltos rarely achieve the acclaim and renown of sopranos. Assigned few leading roles in opera, they are condemned to playing the villain or the grandmother, or to stealing the castrati’s trousers in en travesti roles.

1612 Italian Vespers

Following their 2011 Decca recording of Striggio’s Mass in 40 Parts (1566), I Fagiolini continue their quest to unearth lost treasures of the High Renaissance and early Baroque, with this collection of world-premiere recordings, ‘reconstructions’ and ‘reconstitutions’ of music by Giovanni and Andrea Gabrieli, Monteverdi, Palestrina, and their less well-known compatriots Viadana, Barbarino and Soriano.

Eternal Echoes: Songs and Dances for the Soul

Eternal Echoes is an album of khazones [Jewish cantorial music] for cantorial soloist, solo violin and a blended instrumental ensemble comprising a small orchestra and the Klezmer Conservatory Band.

Mahler: Symphony no. 3 / Kindertotenlieder

Michael Tilson Thomas’s recording of Mahler’s Third Symphony is an outstanding contribution to the composer’s discography.

Oliver Knussen’s Symphonies from NMC

Oliver Knussen burst into British music with an unprecedented flourish. In 1967, the London Symphony Orchestra premiered Knussen’s First Symphony, with Istv·n KertÈsz scheduled to conduct.

Ludwig van Beethoven: Fidelio

Based on performances given in Summer 2010 at the Lucerne Festival, this recording of Beethoven’s Fidelio is an admirable recording that captures the vitality of the work as conducted by Claudio Abbado.

Stanis?aw Moniuszko: Flis

Stanis?aw Moniuszko (1819-1872) was one of the most popular composers of his day in Poland, and of the many works he wrote for the stage, two are performed from time to time, Halka (1848) and Strazny dwÛr [The Haunted Manor] (1865).

Stanis?aw Moniuszko: Pie?ni Songs

The Polish alto Jadwiga RappÈ is a familiar voice in various stage and concert works, and the recent release of a selection of songs by Stanis?aw Moniuszko (1819-1872) is an opportunity to hear her performing artsongs.