Lucia and the glass harmonica

Flute players in opera orchestra around the world must look forward to the frequent appearances of Donizetti’s Lucia di Lammermoor, knowing that while the stage spotlight in the mad scene will be on the soprano, the orchestral spotlight will be on their instrument.

Levine conducts at the Metropolitan Opera: 1978 to 2006

Since his debut at the Metropolitan Opera in 1971, conductor James Levine has come to represent the house’s commitment to artistic excellence — reliable, professional, and immaculately presented.

Netrebko and Garan?a in Donizetti’s Anna Bolena

The cinema world has given us “star vehicle,” a term used to describe a movie that may not have the best script or direction but which suits a popular actor’s persona so well the film can fairly be called a successful entertainment.

Previn conducts the LSO in the 1970s

AndrÈ Previn’s leadership of the London Symphony Orchestra in the early 1970s resulted in some highly regarded recordings, including one of the classic accounts of Rachmaninov’s Second Symphony.

Giuseppe Verdi: Aida

A perennial favorite among opera enthusiasts since its 1871 premiere in Cairo, Aida remains a popular work, and its strengths are apparent in the recent Decca DVD from the Metropolitan Opera, New York.

Mahler: Symphony No. 9

Based on performances given on 2 and 3 March 2011 (at the Barbican, London), Valery Gergiev’s recording of Mahler’s Ninth Symphony is an engaging and persuasive reading of the score.

Fleming in Strauss’s Capriccio

Is there somewhere in Italian opera repertory where, as a comic interlude, the portentous clichÈs of German opera come in for a skewering amid the luscious sunshine of Italianate lyricism?

Michael Spyres — A Fool for Love

Tenor Michael Spyres’ star is on the rise and his highly enjoyable debut recital disc offers ample proof as to why.

Pountney directs Verdi’s Forza for Vienna

One of the guiding principles of the revisionist (if not intervisionist) school of opera directing commonly called “regie-theater” is that certain outdated dramatic conventions in the librettos of many great operas can actually interfere with a contemporary audience’s ability to perceive the true artistic worth of the work of art.

Gustav Mahler: Das Lied von der Erde

Recorded on 14 June 1964 at the Grofler Saal of the Musikverein, Vienna, as part of the Wiener Festwochen, this legendary performance of Mahler’s Das Lied von der Erde was released in 2011 on Deutsche Grammophon.