Category: Recordings

One of the guiding principles of the revisionist (if not intervisionist) school of opera directing commonly called “regie-theater” is that certain outdated dramatic conventions in the librettos of many great operas can actually interfere with a contemporary audience’s ability to perceive the true artistic worth of the work of art.

Recorded on 14 June 1964 at the Grofler Saal of the Musikverein, Vienna, as part of the Wiener Festwochen, this legendary performance of Mahler’s Das Lied von der Erde was released in 2011 on Deutsche Grammophon.

If Mahler’s Fourth Symphony is arguably one of his more familiar pieces, live performances of the work can vary depending on the abilities of the performers to meet the various challenges of the piece.

Released in 2011, this disc reproduces a performance of Mahler’s Das Lied von der Erde that was recorded on 10 November 1989 at the Grzegorz Fitelberg Concert Hall, Katowice [Poland].

Ruggero Leoncavallo’s name is forever tied to that of Pietro Mascagni.

In contrast to much music-making on the continent, English composers born in the last quarter of the sixteenth century seem to have embraced a notable degree of stylistic continuity.

Homage could take diverse forms in Counter-Reformation Rome, and this excellent recording by ensemble officium, Messa di Santa Cecilia, focuses on a particular instance that was interestingly polyvalent.

In Wilhelm Weitsch’s well-known painting of Wilhelm Friedemann Bach, the eldest son of Johann Sebastian seems far distant from the cantorial world of his father.

In the first part of the seventeenth century, the north German city of Hamburg spawned an unusually rich organ culture, with Jacob Praetorius, the younger, and Heinrich Scheidemann both pupils of the famous Dutch organist, Jan Pieterzoon Sweelinck, as leading figures.