Brahms: Lieder

Like her impressive recording of Lieder by Dvo?·k (Harmonia Mundi CD 901824), Bernarda Fink’s recording of a selection of Lieder by Brahms not only offers a fine representation of the music, but also demonstrate the singer’s command of this repertoire.

David McVicar’s Salome

This high-concept Salome takes place in Nazi Germany.The set has two levels: on top, Herod revels with the banqueters; below, we see a dingy basement, full of kitchen workers, relaxed soldiers, and the prostitutes who help them relax.

Jean Sibelius: Kullervo, Op. 7.

Sibelius’s 1892 symphonic poem for soloists, chorus, and orchestra is in the tradition of the cantata-like symphonies of the nineteenth century, as found in Mendelssohn’s Lobgesang or Mahler’s Second Symphony.

Lulu at Covent Garden

One of the leading lights of Berg’s Vienna was the architect Adolf Loos, the great crusader against ornament.

Un ballo in maschera at the Teatro Real

The greatest dramatic tenor and soprano roles have proven irresistible to Marcelo Alvarez, who started primarily as a lyric tenor, and Violeta Urmana, whose first career success came as a mezzo.

Tristan und Isolde, Bayreuth 2009

As the prelude plays, we see circles of fluorescent light moving slowly in uncertain black space. Are we seeing flights of flying saucers, as in Close Encounters of the Third Kind?

Schumann’s Genoveva

Robert Schumann’s only opera Genoveva (1850) is best known as a failure in its time and has since fallen into the list of succËs d’estime, but with this new release, based on a production intended for television, conductor Nikolaus Harnoncourt champions the work in his second recording of the score.

Marco Polo at Het Muziektheater, Amsterdam

Does this Tan Dun opera prove or disprove that for East and West, the twain shall never meet?

The Adventures of Pinocchio

The operas of British composer Jonathan Dove enjoy a fairly high level of both critical and popular support in the U.K., where his best known work, Flight, premiered at the prestigious Glyndebourne Festival.

Dialogues des CarmÈlites from Hamburg

Poulenc’s only full-length opera is widely admired and not infrequently performed, but its claustral nature makes it tricky to stage.