Carlos Cogul is a London vocal coach and an appreciated baritone giving many a recital ÖÖin the London Tube while commuters hastily pass by to catch their trains. Judging from the photo on this CD he is not a young man any more.
Category: Recordings
ROSSINI: Bianca e Falliero
The choice between this recording made at the Pesaro Festival in August 2005 and the Opera Rara recording of 2000 will partly be made for non-musical reasons.
DONIZETTI: Don Pasquale
An ingenious and handsome staging, in the proper period and full of delicious color, fashion and furnishings, a production that honors the compatibility of tradition with good fun, and four singers who look their parts, play the farce, and are as easy on the ears as on the eyes ó what more could you want from a Don Pasquale?
SZYMANOWSKI: Songs of a Fairy-tale Princess; Harnasie; Love Songs of Hafiz
The Polish composer Karol Szymanowski (1882-1937) is one of more engaging composers of the early twentieth century.
DONIZETTI: Dom SÈbastien, roi de Portugal
When hearing the final work of a composer whose life was cut short, one can not help but wonder, ìWhat if?î
BRUCKNER: Symphony no. 8 (rev. version, Nowak ed.)
Established in 1985 by the United Nations, the World Philharmonic Orchestra gave its inaugural concert on 12 December 1985 under the auspices of UNICEF and the Konserthus, Sweden.
ROSSINI: La Scala di Seta
La Scala di Seta, composed in Venice in 1812 (Rossini was 20; Tancredi and fame were a year off; Barbiere and immortality were four years down the road), shares the fortune of La Gazza Ladra: that is, until recently, the public knew the overture quite well but nothing else from the opera which, indeed, lacks the spectacular arias and hilarious ensembles that might have kept it on the boards.
WEBER: Der Freischütz
Produced by Rolf Lieberman and directed for television by Joachim Hess, this 1968 studio recording of Carl Maria von Weber’s Der Freischütz has much to recommend as a traditional production of the opera.
ROSSINI: Il Viaggio a Reims
Il Viaggio a Reims was a pièce d’occasion, part of the official tributes to Charles X of France on his coronation in 1825, but unlike most such creations – which tend to dreary platitudes of the Oscar speech variety – Viaggio has a cheeky personality and delicious music from Rossini at the top of his game, music he planned to recycle in subsequent operas – which he did.
Jan Neckers on Recently Reissued Historicals
Almost thirty years ago a century old tradition ended with the last performance of I Maestri Cantatori.