Frederica von Stade sings Mozart and Rossini arias

Frederica von Stade was just about 30 years old in 1975, when she recorded these Mozart and Rossini arias with the Rotterdam Philharmonic Orchestra under Edo de Waart.

Sweet was the Song

I doubt that this recital disc, recorded in 2004, could have been intended as a memorial to Arne Dorumsgaard, who died in March of 2006, but the composer’s centrality to the program, and the poetic themes of death, sleep, and mortality that recur in the Elizabethan texts, enable such an interpretation.

CHARPENTIER: Le Malade Imaginaire

On the 10th February 1673, only a few months after their first collaboration, Jean-Baptiste Poquelin, better known as MoliËre (1622-1673), and Marc-Antoine Charpentier (1643-1704) presented at the Palais Royal’s theater Le Malade Imaginaire, a comÈdie ballet (a comedy with incidental music in the form of interludes built around a secondary plot).

All the Ends of the Earth: Contemporary & Medieval Vocal Music

There is an often compelling relationship between early and contemporary music. The relationship grows out of many different things.

CHARPENTIER: AndromËde; Ballet de Polyeucte

Conceived by Marc-Antoine Charpentier (1643-1704) to serve as musical interludes for a revival at the Jesuit college of Harcourt in 1680 of Pierre Corneille’s play, Polyeucte Martyr (originally written in 1642), the ballet Le combat de l’amour divin was composed for string orchestra with trumpets, kettledrums and continuo.

Songs of Amy Beach

I can remember a time when Amy Beach was primarily known as a favorite among performers (largely female) whose mission was to present the work of neglected women composers.

LASSUS: Lamentationes JeremiÊ ProphetÊ; Requiem

Lassus’s long tenure in Munich in the employ of Duke Albrecht V resulted in an unusually prolific and diverse output.

MAHLER: Symphony no. 3

Originally recorded in Carnegie Hall on 15 April 1956, Dimitri Mitropoulos’s performance of Mahler’s Third Symphony dates from a time when this particular score was rarely heard in concert.

BEETHOVEN: Fidelio

While undated, this performance of Beethoven’s Fidelio is a solid performance of the opera that has all the earmarks of a radio broadcast.

MOZART: Idomeneo

After an apparently successful premiere in 1781, Mozart’s Idomeneo fell out of favor, not being revived in the composer’s lifetime and staying dormant in the 19th century and first half of the 20th.