08 Sep 2008
Luciano Pavoritti died on September 6, 2007. The all-too-ample figure and the fables associated with him are already retreating from memory. »
08 Sep 2008
Every time an artist walks onto the performance stage, he or she attempts to give the performance of their lives, focusing on everything they have learned prior to, and giving of themselves in an unprecedented way. »
07 Sep 2008
Kashchey is a gnarled old ogre who imprisons a beautiful young princess in his gloomy underworld. It’s classic psychodrama. Kashchey has supernatural powers, so how can the Princess be saved ? »
07 Sep 2008
The startup of a new opera company is always cause for cheering; it is getting harder and harder (that is, more and more expensive) to do, especially in New York. »
07 Sep 2008
Because Turangâlìla is such a panorama, taking in Hollywood, Hindus and Peruvians, Wagner and Gurrelieder, it’s easy to assume it’s all surface Technicolor. »
05 Sep 2008
The Netherlands Opera opened its season at the Muziektheater with a stunning new production of Die Frau ohne Schatten, setting the bar very high indeed for all that is to follow in the repertoire. »
04 Sep 2008
Although performances of Handel’s more obscure large-scale works are relatively common in London, it is far less common that they are given in a venue as large and high-profile as the Royal Albert Hall, with a line-up of conductor and soloists that will attract a full house for a lengthy and static work on a hot summer evening. »
03 Sep 2008
Janáček’s music has already been well served in this year’s Proms in a memorable evening conducted by Boulez (reviewed on this site by Anne Ozorio). »
29 Aug 2008
With the revival of a 1876 Cleopatra by the local composer Lauro Rossi, a couple of world premieres in chamber opera and sacred oratorio (by Marco Tutino and Alberto Colla, respectively) and Verdi’s Attila canceled because of budget constraints, the 44th installment of the Macerata Festival will nevertheless be remembered as a bumper season, if one not particularly friendly to mainstream taste. »
29 Aug 2008
The venerable Wagner Festival in Bayreuth has never shied away from provocative productions. »
26 Aug 2008
In a nod to the 150th anniversary of Puccini's birth, the Manchester-based BBC Philharmonic Orchestra visited the Proms with their chief conductor, Gianandrea Noseda, for a performance of the first opera of Il trittico. »
26 Aug 2008
“Only in the realm of the dead is everything pure.” »
21 Aug 2008
Contrary to popular assumption, Janáček wasn’t “folkloric” per se, much as he loved his Moravian heritage. Boulez’s perceptive approach shows how inventive and original Janáček’s music can be. »
21 Aug 2008
I hoped it was not an omen of the evening to come at Torre del Lago’s Puccini Festival, when the audience was made to wait at the closed gates until about twenty minutes before curtain rise, listening to the orchestra and chorus a hundred yards away rehearse chunks of that night’s Edgar. »
19 Aug 2008
Glyndebourne Festival Opera’s annual appearance at the Proms is always an eagerly-awaited event, but there is a varying degree of success with which the productions adapt from a full staging at Glyndebourne to a semi-staging suitable for the small platform and cavernous space of the Royal Albert Hall. »
19 Aug 2008
A soprano originally from South Africa and a tenor from Sweden sang their way to top honors in the 2008 International Wagner Competition staged by the Seattle Opera on August 16 in Marion Oliver McCaw Hall, the company's handsome home. »
18 Aug 2008
“Stage direction should not follow fashion, for fashion is the sister of death”. »
17 Aug 2008
The haunting, unsettling opening moments of the Glyndebourne premiere of Peter Eötvös’ “Love and Other Demons” promised much, with sensitive playing by the solo celesta and harp, flutter-tongued flutes, and jarring bass stings. »
30 Jul 2008
Star-studded casts graced end of the season performances at the Wiener Staatsoper, with two versions of Verdi’s Don Carlo on its menu. »
30 Jul 2008
For its ninth program of the Summer 2008 season the Grant Park Music Festival offered a balance of vocal, choral, and orchestral works from the late nineteenth and first half of the twentieth centuries. »
30 Jul 2008
I discovered many delights in my first ever visit to the Chautauqua Opera, not least of which was the lovely environment of the hilly Chautauqua Institution grounds which are dotted with picturesque and inviting old frame houses. »
30 Jul 2008
The novelty feature drawing veteran opera enthusiasts in general, and Richard Wagnerites in particular to Glimmerglass Opera this summer is that composer’s “Das Liebesverbot,” in what is touted as the North American fully staged premiere of this seldom-talked-about-and-even-less-performed early piece. »
30 Jul 2008
For two years, the subdued rumble of anticipation had been building to a forte. »
30 Jul 2008
The Philharmonia Orchestra has made a far more comprehensive effort than any other British ensemble to celebrate the 50th anniversary of the death of Ralph Vaughan Williams, with concerts taking place over the course of seven months in London, Leicester and Bedford including a complete symphony cycle. »
23 Jul 2008
It’s not so long ago that the opening night of the Proms was given over to a single major choral work, but in more recent times it has become more of an overt opener to the season, presenting a taster menu of the themes running through the season’s subsequent 70-plus concerts. »
22 Jul 2008
Eugenia Zukerman asked for a 10-minute chamber work — a piano quintet, perhaps — and she got Green Sneakers for Baritone, String Quartet and Empty Chair, which lasts exactly an hour. »
20 Jul 2008
“Quelle plaisir” to encounter Gustave Charpentier’s seldom performed “Louise” at the Paris Opera in a production where most everything went spectacularly right. »
20 Jul 2008
The Bayerische Staatsoper, based in three spectacular houses where Mozart, Wagner and many other composers premiered their works, presents over 300 annual performances to a discerning public. »
13 Jul 2008
Bernd Alois Zimmermann was a sensitive, none too healthy 21-year-old music prodigy in 1939, when he was drafted into the German army. »
13 Jul 2008
For Sir William Walton, the protracted genesis of Troilus and Cressida must have seemed more akin to the agonies of Sisyphus than to the composition of an opera. »
13 Jul 2008
Originating at the Châtelet, where the narration was given in French, Robert Carsen's staging of Bernstein's unique satire worked rather well in its television broadcast from the Parisian house late in 2006. »
13 Jul 2008
The disastrous 1904 La Scala premiere of Giacomo Puccini’s Madame Butterfly is one of those famous annals of opera which tend to leave today’s audiences perplexed about all the uproar. »
13 Jul 2008
The concert “20th-Century Masters,” presented by the Grant Park Music Festival, Chicago on 27 and 28 June 2008 featured several pieces performed for the first time under the auspices of the Festival. »
06 Jul 2008
David Gockley heard the cries of many an opera fan that Pamela Rosenberg had denied them their 'stars,' so for his summer season, 2008, he brought them Natalie Dessay, Susan Graham, Ruth Ann Swenson, and Stefan Margita. »
06 Jul 2008
My visit to two rarely mounted pieces at the Opera Festival of St. Louis brought to mind the little girl with the curl, for when it was good, it was very very good and when it was bad, it was, um. . .er. . . »
23 Jun 2008
In the latter part of last year, the casting for Nicholas Hytner’s new production of Don Carlo — in the five-act Italian version — looked to be on shaky ground. »
23 Jun 2008
No one has ever called Gazzaniga’s Don Giovanni an overlooked masterpiece. »
22 Jun 2008
Pink flamingos, sheep on wheels, and a queen crowned with giant antlers all inhabit the zany world of Opera Theatre of Saint Louis’s Una cosa rara, where the artificial 18th century pastoral commingles with cutesy country colors and 1950s yard art. »
15 Jun 2008
On the barren stage: a few chairs, a dark-gold hectoplasm projected on the wood panels of the acoustic chamber - nothing more. »
15 Jun 2008
For the belated Spanish premiere of Britten’s Death in Venice, 35 years after its creation in Aldeburgh, Barcelona seems a felicitous choice. »
09 Jun 2008
For Bellini’s “I Capuleti e i Montecchi,” Paris Opera peopled its revival with plenty of star power. »
09 Jun 2008
When the Ringling Brothers folded their tents, opera took over. Aïda with elephants, and Walküre with real horses. »
09 Jun 2008
It is a bit hard to know what to make of Olivier Messiaen’s colossal piece “Saint François d’Assise,” beautifully mounted by Netherlands Opera. »
08 Jun 2008
If you are going to produce Jacques Fromental Halevy’s forgotten opera “Clari,” I urge you to first make sure you have a signature on the contact from a superstar with the firepower of Cecilia Bartoli. »
04 Jun 2008
It is worth remembering that prior to the première of Strauss’s opera in 1911, the working title was ‘Ochs auf Lerchenau’. »
04 Jun 2008
Opera producers in quest of headlines, unable to make them from the limited number of Mozart operas available (all of them far too familiar) but equipped with the flood of attractive young singers trained to sing Mozart in conservatories (because singing Mozart does not harm young voices, and
singing Verdi and Wagner before 30 — better yet, 40 — often will), sometimes turn to Mozart’s contemporary, Cimarosa, and his Il Matrimonio Segreto, to get attention. »
04 Jun 2008
Handel’s Rodrigo, subtitled ‘Vincer se stesso è la maggior vittoria’ (Self-conquest is the greater victory) is one of the composer’s earliest operatic works, and rarely heard. »
28 May 2008
Chicago Opera Theater scored a resounding success with its area premiere of John Adams’ newest stage piece, “A Flowering Tree.” »
