Proof that literalism isn’t truth: J¸rgen Flimm’s production of Beethoven’s Fidelio, first heard at the Met and at the Royal Opera House, London in 2007.
Tag: Nina Stemme
Tristan und Isolde more rooted in tradition than meets the eye
Over 100 years ago, Adolphe Appia sketched designs for Tristan und Isolde that have influenced theatre design from Alfred Roller to Wieland Wagner. Appia’s vision came to life on stage at the Royal Opera House this week. This new production has far deeper roots in tradition than its detractors realize.