Proof that literalism isn’t truth: J¸rgen Flimm’s production of Beethoven’s Fidelio, first heard at the Met and at the Royal Opera House, London in 2007.
The opening night of the new season at Teatro alla Scala Milan is a gala event, the most glamorous in the entire Italian opera year.
Over 100 years ago, Adolphe Appia sketched designs for Tristan und Isolde that have influenced theatre design from Alfred Roller to Wieland Wagner. Appia’s vision came to life on stage at the Royal Opera House this week. This new production has far deeper roots in tradition than its detractors realize.