Riccardo MutiAug. 5 (Bloomberg) — It’s the day before the premiere of Mozart’s “The Magic Flute” at the Salzburg Festival, and conductor Riccardo Muti looks relaxed. In a crisp shirt, unbuttoned at the neck, with his trademark mane of chestnut hair combed back, he strolls out to the gate of his property, very much the master of the house.