Falstaff in Paris

It was magic from the start, Verdi’s in medias res chords exploded and tumbled, Danish conductor Michael Schønwandt established the solid, brisk beat, brilliantly illuminating Verdi’s vast musical complexities to…

Porpora’s Ifigenia in Aulide in Bayreuth

Ifigenia in Aulide: Bayreuth Baroque 2024 opens with the modern premiere of Porpora’s 1735 opera It was with an opera by Nicola Antonio Porpora – Carlo il Calvo – that…

Pergolesi’s L’Olimpiade is wittily and slickly recreated by Vache Baroque

As with so many librettos by Pietro Metastasio, L’Olimpiade was set numerous times during the 18th century. Like Vivaldi’s version (which audiences in London have also had the chance to…

Il barbiere di Siviglia at the Rossini Opera Festival

The city of Pesaro is the 2024 Capitale Italiana della Cultura, adding luster to its 2017 Unesco designation as a Città Creativa. All this calls for celebration, and that was…

Bianca e Falliero at the Rossini Opera Festival

Expectations were high in Pesaro just now, not for the new production of Bianca e Falliero by French stage director Jean-Louis Grinda (expectations were low), but of the Rossini Opera…

Ermione at the Rossini Opera Festival

Ermione (Hermione in the Greek myth, though Rossini’s opera has nothing to do with the myth or Euripides tragedy) was anticipated with great expectations both because Michele Mariotti, Pesaro’s conducting…

L’equivoco stravagante at the Rossini Opera Festival

L’equivoco stravagante (1811) had only three performances before it was pulled by the censors. This is the same year its 19 year old composer was hauled off to prison for…

The Puccini Festival at Torre del Lago springs a surprise in the composer’s final opera with its homage to the premiere’s abrupt conclusion

2024 is the centenary anniversary of Puccini’s death, and so it makes sense that the prominent festival of the composer’s operas at Torre del Lago (the Tuscan lakeside resort where…

The Gambler (Игрокъ) and The Idiot (Идиот) at Salzburg’s Rock Riding School

The Salzburg Festival’s Felsenreitschule is home to most of its productions of twentieth century opera, just now two Russian operas based on novels by Fyodor Dostoevsky — Mieczyslaw Weinberg’s The…

Glimmerglass:  Supremely Stylish La Calisto

High style and ample substance were equally on dazzling display in the new production of Francesco Cavalli’s La Calisto at the Alice Busch Opera Theatre. From the gender bending casting…