High infidelity – a double bill of comedy and tragedy at Opera Holland Park

‘Cav and Pag get a divorce’ is Opera Holland Park’s promotional line for its double bill, which prefaces Leoncavallo’s familiar Pagliacci with a relatively rarely seen work, Wolf-Ferrari’s Il segreto…

A cheerful and entertaining performance of Verdi’s late comedy amidst the sylvan magic of West Green

The opera at West Green is back in the ‘green theatre’, rather than open air on the lake, but opened up at the back so that the house itself forms…

Pelléas et Mélisande at Munich

Nine years ago, in this same theatre at this same festival, I saw Munich’s previous Pelléas et Mélisande: a staging by Christiane Pohle which I greatly admired, but everyone else…

Unalloyed delight: Handel’s Acis and Galatea at Holland Park

This seems to be quite the year for Opera Holland Park: A revelatory Puccini Edgar, a powerful coupling of Wolf-Ferrari (Il segreto di Susanna) and Leoncavallo (Pagliacci), and now the…

DMMO: Best. Barber. Ever.

From the dancing light show during the sprightly overture to the closing precision of the flamenco-disco ensemble moves and every moment in between, Des Moines Metro Opera’s The Barber of…

Des Moines: Apollo’s Bare Body and Bared Souls

Des Moines Metro Opera’s World Premiere of Damien Geter and Lila Palmer’s American Apollo could hardly have been more of an “occasion.” This intriguing musical exploration of the artistic and…

Iowa’s Star-Powered Strauss

Salome is a big, big sing and happily, Des Moines Metro Opera has engaged a big, big star. “Dazzling” is too puny an adjective to describe Sara Gartland for her…

Samson at the Aix Festival

Rameau’s Samson, with the libretto by François-Marie Arouet aka Voltaire, or rather a sort of Rameau/Voltaire Samson imagined by French early music conductor Raphaél Pichon and German stage director Otto Guth,…

Des Moines’ Pelléas à la perfection

Well, well, well, Des Moines Metro Opera has done it again. With their unerringly imaginative and evocative staging of Claude Debussy’s hauntingly lovely masterpiece Pelléas et Mélisande, they have made…

Songs and Fragments at the Aix Festival

That’s Eight Songs for a Mad King (1969) by Peter Maxwell Davies and Kafka-Fragmente (1987) by György Kurtág, an inspired pairing by Pierre Audi, the artistic director of the Aix…