Manon Lescaut, War Memorial Opera House, San Francisco

http://www.ft.com/cms/s/a4c77786-7980-11db-b257-0000779e2340.html

Songs of Amy Beach

I can remember a time when Amy Beach was primarily known as a favorite among performers (largely female) whose mission was to present the work of neglected women composers.

LASSUS: Lamentationes JeremiÊ ProphetÊ; Requiem

Lassus’s long tenure in Munich in the employ of Duke Albrecht V resulted in an unusually prolific and diverse output.

MAHLER: Symphony no. 3

Originally recorded in Carnegie Hall on 15 April 1956, Dimitri Mitropoulos’s performance of Mahler’s Third Symphony dates from a time when this particular score was rarely heard in concert.

Der Anfang ist Programm

http://www.merkur-online.de/nachrichten/kultur/kunstakt/art282,734116.html

BEETHOVEN: Fidelio

While undated, this performance of Beethoven’s Fidelio is a solid performance of the opera that has all the earmarks of a radio broadcast.

The Gondoliers

http://entertainment.timesonline.co.uk/article/0,,14936-2461210,00.html

Mozart-fest without the Mozart

http://www.ft.com/cms/s/c6c46c80-765c-11db-8284-0000779e2340.html

MARSCHNER: Der Vampyr

Der Vampyr, romantic opera in two acts in the version by Hans Pfitzner (1924).

Chilean Soprano Marambio Makes Met Debut

http://www.washingtonpost.com/wp-dyn/content/article/2006/11/19/AR2006111900448.html