Steinbeckís Suffering Okies Head West, Operatically

http://www.nytimes.com/2007/02/12/arts/music/12grap.html?ref=music

Star Power, Charisma and Ardor in ëOneginí

http://www.nytimes.com/2007/02/12/arts/music/12oneg.html?_r=1&ref=music&oref=slogin

Nachruf: Bei ihm war Oper stets hochexplosiv

http://www.diepresse.at/home/kultur/klassik/109808/index.do?_vl_backlink=/home/kultur/klassik/index.do

All the Rage: ‘Otello,’ ‘Die Walkure’ and Pianists Par Excellence

http://www.washingtonpost.com/wp-dyn/content/article/2007/02/09/AR2007020900535.html

Rise and Fall of the City of Mahagonny

http://www.variety.com/review/VE1117932757.html?categoryid=33&cs=1

LEONCAVALLO: I Pagliacci

I Pagliacci, dramma in a prologue and two acts.

HANDEL: Agrippina

An expressionist portrait of the Roman she-wolf was the first, striking image of this production, originally devised for Théâtre Royal de la Monnaie, by the fashionable British director David McVicar.

The Devil’s Dream

The duo of gambist Vittorio Ghielmi and lutenist Luca Pianca even has its own domain name
(www.pianca-ghielmi.com), as well as several previous releases, of which the first has perhaps my favorite CD title ever (Bagpipes from Hell).

ARNE: Six cantatas for a voice and instruments; Advice to Cloe

The English, though fundamental to the early music revival of the last half-century, have been rather remiss in exploring their native music dating from after the death of Purcell, and particularly that produced after the death of Handel.

Orfeo, Banqueting House, London

http://www.ft.com/cms/s/6daa66c4-b791-11db-bfb3-0000779e2340.html