OFFENBACH: Orpheus in der Unterwelt (Orphée aux enfers)

Filmed for television in 1971, this performance of the German translation of Orphée aux enfers (1858) as Orpheus in der Unterwelt breaks the conventional wisdom that some espouse about the weaknesses of opera or opera when conceived for the small screen.

BACH: Cantatas, Vol. 26 (Whit Sunday and Whit Monday)

Among the virtues of hearing Bach cantatas performed in liturgical order—one of the hallmarks
of John Eliot Gardiner’s stunning Cantata Pilgrimage of 2000—is the chance to savor Bach’s range of approach to unified text themes.

Delightful Organ at St Margaretís Palm Desert

Who says an organ recital cannot be jolly good fun?

Sexy Divas Boosting Classical Music Biz

http://www.businessweek.com/globalbiz/content/may2007/gb20070501_375740.htm?campaign_id=rss_daily

ROSSINI: Bianca e Falliero

Dynamic brought its cameras to the Rossini Opera Festival in Pesaro, Italy, in August 2005 to
record Bianca e Falliero, one of Rossini’s so-called “serious” operas, and one that had only been rescued from many decades of neglect by the festival itself, in 1986.

Miami “Karenina” a dream come true

Colin Graham’s dream of an opera based on Tolstoi’s “Anna Karenina” extends far into the past.

Dawn Upshaw’s Beautiful World of Song

http://www.nytimes.com/2007/05/01/arts/music/01dawn.html?_r=1&ref=music&oref=slogin

In Barcelona, a Wagner debut without scandals for Àlex Rigola, the rising star in the Catalan school of direction

At Barcelona’s Gran Teatre del Liceu, a sold-out house marked, for two nights in a row, the
weekend introducing la diada de Sant Jordi, the big fiesta celebrated on April 23 in honor of the city’s patron St George.

Tristan und Isolde: Total Immersion

The Los Angeles Philharmonic in April and May brought back its Tristan Project for the benefit of audiences in California and New York City.