War and Peace, Metropolitan Opera, New York

http://www.ft.com/cms/s/0/50a04e12-a8cd-11dc-ad9e-0000779fd2ac.html

Billy Budd, Barbican, London

http://www.ft.com/cms/s/0/f4dd987a-a80c-11dc-9485-0000779fd2ac.html?nclick_check=1

A King’s Christmas

http://www.nysun.com/article/67843

Improv at the Opera

http://www.playbillarts.com/features/article/print/7471.html

Kwiecien’s vocal blasts give songs a pummeling

http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2007/12/11/DD3PTRHH5.DTL

The Turn of the Screw at ENO

Not long ago, English National Opera declared an intention to capitalise on its name and history by placing greater emphasis on English works.

Otello ó Kirov Opera

Despite 19th-century Russiaís reputation as an Italian opera haven, Verdiís late masterpiece Otello found acceptance there only with great difficulty, even though in its 1889 premiere the title role acquired a great local interpreter in the Mariinsky Theater primo uomo, Nikolai Figner.

Composer Karlheinz Stockhausen dies

http://ukpress.google.com/article/ALeqM5j2OLVL0rWGZE0bskTr5kVlUqJLag

6 Characters in Search of a Dimension, in Different Operatic Tempos

http://www.nytimes.com/2007/12/10/arts/music/10next.html?_r=1&ref=music&oref=slogin

JÈrÙme Deschamps veut redorer líOpÈra-Comique

http://www.lefigaro.fr/culture/2007/12/10/03004-20071210ARTFIG00381-jerome-deschamps-veut-redorer-lopera-comique-.php