CosÏ fan tutte Deconstructed

W. A. Mozartís CosÏ fan tutte, heard on a stormy night July 11, proved a sorry exercise in deconstruction, something I never expected to endure at Santa Fe Opera.

Bieito Does La Fanciulla del West at Staatsoper Stuttgart

Staatsoper Stuttgart presented its new production of The Girl of the Golden West, directed by Calixto Bieito. And, well, it began with an added dialogue scene to establish the “concept.”

War, Love, Loyalty & Betrayal

http://www.nysun.com/article/60203

Metropolitan Opera to Triple Number of U.S. Screens for Simulcasts

http://www.playbillarts.com/news/article/6906.html

The man who put opera on the front page

http://www.scena.org/columns/lebrecht/070808-NL-Adams.html

Four Trips to Hell and Back at the Opera

http://www.nytimes.com/2007/08/07/arts/music/07glim.html?_r=1&ref=music&oref=slogin

What is it about Wagner?

http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article2181464.ece

The evolution of the Proms

http://tls.timesonline.co.uk/article/0%2C%2C25342-2648022%2C00.html

Love and death among battlements

In 2003, at Cagliís Accademia del Teatro, Elisabetta Courir directed a compelling CosÏ fan tutte, minimalist, sophisticated and low-budget; quite unlike Daniele Abbado, whose Lohengrin for Bolognaís Teatro Comunale integrated ìhardî scenery, video projections and historically informed costumes into a dream-like pageant.

RÈgine Crespin ne chantera plus

http://www.tdg.ch/pages/home/tribune_de_geneve/l_actu/culture/detail_culture/(contenu)/104302