http://www.bloomberg.com/apps/news?pid=20601088&sid=aISQ3OFGgBs8&refer=muse
Month: March 2008
Isabel Leonard, Weill Recital Hall
http://www.nytimes.com/2008/03/17/arts/music/17roun.html?ref=music
The ClichÈ-Busting Baritone
http://www.nysun.com/article/73002
Wozzeck, La Monnaie, Brussels
http://www.ft.com/cms/s/0/623311ac-f1eb-11dc-9b45-0000779fd2ac.html
St Matthew Passion at the Festival Hall
http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/live_reviews/article3530835.ece
Eugene Onegin, ROH
http://music.guardian.co.uk/live/story/0,,2264291,00.html
Tristan und Isolde — The Metropolitan Opera
I bet this doesn’t happen at the movies:
Handel’s Riccardo primo, Re díInghilterra (HWV 23) and Tolomeo, Re díEgitto (HWV 25) from B‰renreiter
Published in 2007, Riccardo primo, Re díInghilterra (HWV 23) and Tolomeo, Re díEgitto (HWV 25) mark two of the latest installments of vocal-score editions of Handelís operas based upon B‰renreiterís Urtext editions.
Peter Grimes at the MET
Let us, for one example among many, take the capstan song in Act I.
MOZART: Don Giovanni
This an intriguing two-disc DVD set. The primary disc is the opera itself, while the other disc is a film called ìAdieu Mozartî that tells us about the unique relationship Mozart had with the City of Prague.