Stewed Queen Loses Her Head in ‘Bolena’

http://www.bloomberg.com/apps/news?pid=20601088&sid=aISQ3OFGgBs8&refer=muse

Isabel Leonard, Weill Recital Hall

http://www.nytimes.com/2008/03/17/arts/music/17roun.html?ref=music

The ClichÈ-Busting Baritone

http://www.nysun.com/article/73002

Wozzeck, La Monnaie, Brussels

http://www.ft.com/cms/s/0/623311ac-f1eb-11dc-9b45-0000779fd2ac.html

St Matthew Passion at the Festival Hall

http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/live_reviews/article3530835.ece

Eugene Onegin, ROH

http://music.guardian.co.uk/live/story/0,,2264291,00.html

Tristan und Isolde — The Metropolitan Opera

I bet this doesn’t happen at the movies:

Handel’s Riccardo primo, Re díInghilterra (HWV 23) and Tolomeo, Re díEgitto (HWV 25) from B‰renreiter

Published in 2007, Riccardo primo, Re díInghilterra (HWV 23) and Tolomeo, Re díEgitto (HWV 25) mark two of the latest installments of vocal-score editions of Handelís operas based upon B‰renreiterís Urtext editions.

Peter Grimes at the MET

Let us, for one example among many, take the capstan song in Act I.

MOZART: Don Giovanni

This an intriguing two-disc DVD set. The primary disc is the opera itself, while the other disc is a film called ìAdieu Mozartî that tells us about the unique relationship Mozart had with the City of Prague.