Poulenc’s only full-length opera is widely admired and not infrequently performed, but its claustral nature makes it tricky to stage.
This Glyndebourne production is, as far as I know, the first recording of any semi-opera that manages to impart a strong sense of what this peculiar, and peculiarly British, genre…
Oberst Chabert (Colonel Chabert): Tragic opera in 3 acts.
In 1881 Wagner and his wife were discussing the myth of Eros and Anteros, and Wagner remarked, “Anteros is Parsifal.” Wagner considered Parsifal a figure opposed to sexual love, Eros’s…
The Aix Festival was known not so very long ago for pretentious productions. Perhaps now it will become known for good productions.
Something rather extraordinary happened to opera seria in 1738. The acknowledged master of that time, London’s George Frideric Handel, presented two new operas at the King’s Theatre: Faramondo and Serse.
CENTRAL CITY — The story is banal: a single mother, an aging actress, is alienated from her grown-up children.
Don Giovanni isn’t new and most of the cast at Glyndebourne (led by Gerald Finley) are familiar.