http://www.nytimes.com/2010/07/26/arts/music/26dream.html?_r=2&ref=arts
Year: 2010
Hoffmann Takes A Hit In Santa Fe
Despite its length and pretentions to being serious opera, Jacques Offenbach’s The Tales of Hoffmann, dating from the 1880s, remains a leaky vessel adrift on a sea of self-fulfilling prophesies of doom.
The Adventures of Pinocchio
The operas of British composer Jonathan Dove enjoy a fairly high level of both critical and popular support in the U.K., where his best known work, Flight, premiered at the prestigious Glyndebourne Festival.
Opera Star to Try Some Musical-Theater Gunplay
http://www.nytimes.com/2010/07/23/arts/music/23annie.html?_r=1&ref=music
Pity the Supplicant, Beware the Gatekeeper
http://www.nytimes.com/2010/07/22/arts/music/22porta.html
Angela Meade’s Norma at Caramoor
Bellini’s Norma was composed in 1831 and, in the era of such
singing actresses as Giuditta Pasta, Maria Malibran, Giuseppina Strepponi,
Giulia Grisi and ThÈrËse Tietjens (famous Normas all), soon came to be known as
the bel canto vehicle par excellence, the summit of vocal achievement.
Cosima Wagner — The Lady of Bayreuth
Originally published in German as Herrin des H¸gels, das Leben der Cosima Wagner (Siedler, 2007), this new book by Oliver Hilmes is an engaging portrait of one of the most important women in music during the late nineteenth and early twentieth centuries.
Simon Boccanegra at the Proms
Proms audiences have a tendency to be overly enthusiastic in showing their
appreciation, with an arsenal of rituals and traditions at the ready to show
their praise and adulation for their idols.
Opera’s Brigadoon — OTSL’s 2010 Season of the Sublime
At the beginning of every summer, an oasis of music and theater appears like
magic in the suburbs of St. Louis.