End of the aria as opera falls on hard times

http://www.ft.com/cms/s/0/a6e6b998-360e-11df-aa43-00144feabdc0.html

Eva Marton in Puccini and Strauss

At one point in her career, Eva Marton appeared poised to be the true inheritor of Birgit Nilsson’s legacy roles: Wagner and Strauss’s most dramatic heroines, as well as key Italian roles (Puccini in particular).

Take a Play, Then Adorn It With Opera

http://www.nytimes.com/2010/03/25/arts/music/25fairy.html

Wolfgang Wagner, Director of Bayreuth, Is Dead at 90

http://www.nytimes.com/2010/03/23/arts/music/23wagner.html

La Voix humaine/Herzog Blaubarts Burg, Oper der Stadt Kˆln

http://www.ft.com/cms/s/2/744e9b0e-369f-11df-b810-00144feabdc0.html

Villazon Triumphs in Stage Return as Love-Sick Twit

http://www.bloomberg.com/apps/news?pid=20601088&sid=aOY8Cj1dclng#

Il pastor fido at the Royal College of Music

http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/stage/opera/article7071692.ece

Genoveva — Schumann at UCL Opera, London

Genoveva and Lohengrin both premiered in the summer of 1850. Wagner disparaged Schumann, as he disparaged Mendelssohn (Schumann’s hero). Wagner’s opinions were influential. Genoveva has been eclipsed, saddled with a reputation for being hard to stage.

Regieoper with a twist in Dresden Ring

Yes, the complete Ring des Nibelungen currently on stage at Dresden’s Semper Opera qualifies as Regieoper, but it’s Regieoper with a twist.

Changing conductors bring color to Dresden Ring

It was a bit of intrigue that recalled the Wagners at home back in Bayreuth’s Haus Wahnfried.