His
military mother encouraged him to develop his talents, and, Coleman, 26,
rewarded for his captivating performances of Verdi and Gershwin, sparkled as he
sang at the Annapolis Opera’s 26th Annual Vocal Competition
Finals May 3 and 4 at Maryland Hall.
And, it was Huanhuan Ma, Peabody Institute student clad in a lamé gown,
performing “Morro, ma prima in grazia from the opera “Un ballo I
maschera” and “Il es doux, il est bon” from the opera
“Herodiade,” with “lyricism and a lovely legato,” said
Ronald J. Gretz, Annapolis Opera Artistic Director. Ma, who stole the spotlight
when she won the Grace Marion Gelinas Clark Memorial grand prize award of
$2,500, “looked like a singer who could sing,” said Dr. William Ray,
judge and former opera star. Ma also won the $1,000 Director/Conductor
award.
Huanhuan Ma [Photo by Michael Teems]
The Annapolis Opera Competition, supported by the Helena Foundation, held
every year and free to the public, is open to singers ages 20 – 35, culled
more than 76 singer applicants from the mid-Atlantic who stun and soothe with
warm expression and wonderful breath control for the semi-finals. Semi-finalists
and judges proficient in the music world would then participate in a pick of
eight outstanding voices who sing on that Sunday and then leave with the top
prizes.
Ariana Wehr, wearing a purple gown and winner of the $2,000 2nd
Prize Marie Crump Award, said that her adjustment in attitude “altered my
perspective in auditions and competitions from ‘It’s an honor to be
nominated’ to ‘I could actually win this thing.’”
Soprano Marina Costa-Jackson, accompanied by Eileen Cornett on piano, had a
warm and beautiful voice, that soared and spun as she sang Leoncavallo’s
“Stridono Lassu” from Pagliacci. The judges are looking for a
“varied and knowledgeable approach in language, diction, and the ability
to switch between the sad and upbeat.”
Judge and mezzo-soprano Patrizia Conte, an internationally acclaimed opera
star, said that the “level of performance has been excellent this
year.” Conte, who lives in Annapolis, Maryland said it is a
“wonderful competition,” that is done every year. “They
actually use the winner,” she said of the AO first place singer.
The finalists included a stunning Baritone Brian Major, $1,500 3rd
Prize Hughes Award winner, Costa-Jackson, $750 Links of Annapolis Study Award
winner, Kevin Wetzel, $600 Severn Town Club Study Award winner and Wei Wu, John
Viscardi and Coleman, who all won the $500 Study Awards. The charismatic
Viscardi also won the $500 Audience Choice Award.
Wehr, who sang with specific dramatic intentions, complimented the seven
other singers. “All of the finalists were incredibly talented and had a
unique sound,” she said.
Maureen L. Mitchell
image=http://www.operatoday.com/AnnapolisOperaComp%20.png
image_description=Brandon Coleman with mother and friend [Photo by author]
product=yes
product_title=Annapolis Opera’s 26th Annual Vocal Competitions
product_by=By Maureen L. Mitchell
product_id=Above: Brandon Coleman with mother and friend [Photo by author]
Annapolis Opera’s 26th Annual Vocal Competitions
His
military mother encouraged him to develop his talents, and, Coleman, 26,
rewarded for his captivating performances of Verdi and Gershwin, sparkled as he
sang at the Annapolis Opera’s 26th Annual Vocal Competition
Finals May 3 and 4 at Maryland Hall.
And, it was Huanhuan Ma, Peabody Institute student clad in a lamé gown,
performing “Morro, ma prima in grazia from the opera “Un ballo I
maschera” and “Il es doux, il est bon” from the opera
“Herodiade,” with “lyricism and a lovely legato,” said
Ronald J. Gretz, Annapolis Opera Artistic Director. Ma, who stole the spotlight
when she won the Grace Marion Gelinas Clark Memorial grand prize award of
$2,500, “looked like a singer who could sing,” said Dr. William Ray,
judge and former opera star. Ma also won the $1,000 Director/Conductor
award.
The Annapolis Opera Competition, supported by the Helena Foundation, held
every year and free to the public, is open to singers ages 20 – 35, culled
more than 76 singer applicants from the mid-Atlantic who stun and soothe with
warm expression and wonderful breath control for the semi-finals. Semi-finalists
and judges proficient in the music world would then participate in a pick of
eight outstanding voices who sing on that Sunday and then leave with the top
prizes.
Ariana Wehr, wearing a purple gown and winner of the $2,000 2nd
Prize Marie Crump Award, said that her adjustment in attitude “altered my
perspective in auditions and competitions from ‘It’s an honor to be
nominated’ to ‘I could actually win this thing.’”
Soprano Marina Costa-Jackson, accompanied by Eileen Cornett on piano, had a
warm and beautiful voice, that soared and spun as she sang Leoncavallo’s
“Stridono Lassu” from Pagliacci. The judges are looking for a
“varied and knowledgeable approach in language, diction, and the ability
to switch between the sad and upbeat.”
Judge and mezzo-soprano Patrizia Conte, an internationally acclaimed opera
star, said that the “level of performance has been excellent this
year.” Conte, who lives in Annapolis, Maryland said it is a
“wonderful competition,” that is done every year. “They
actually use the winner,” she said of the AO first place singer.
The finalists included a stunning Baritone Brian Major, $1,500 3rd
Prize Hughes Award winner, Costa-Jackson, $750 Links of Annapolis Study Award
winner, Kevin Wetzel, $600 Severn Town Club Study Award winner and Wei Wu, John
Viscardi and Coleman, who all won the $500 Study Awards. The charismatic
Viscardi also won the $500 Audience Choice Award.
Wehr, who sang with specific dramatic intentions, complimented the seven
other singers. “All of the finalists were incredibly talented and had a
unique sound,” she said.
Maureen L. Mitchell
image=http://www.operatoday.com/AnnapolisOperaComp%20.png
image_description=Brandon Coleman with mother and friend [Photo by author]
product=yes
product_title=Annapolis Opera’s 26th Annual Vocal Competitions
product_by=By Maureen L. Mitchell
product_id=Above: Brandon Coleman with mother and friend [Photo by author]