In this instance dictionaries do not leave room for ambiguity: a revolution is a sudden, fundamental change. As a branding name, it has been much prized by all kinds of…
Category: Recitals/Concerts
PROMS 2026: Polished Performances from the Choir and Orchestra of the Age of Enlightenment
This concert was dubbed a “musical postcard from 18th-century Vienna”, with sacred and secular offerings spanning six decades. Finding works to programme alongside Haydn’s late ‘Nelson Mass’, or, if you…
PROMS 2026: A Mini–Italian Festival at the Proms
An Italian-Turkish conductor, Nil Venditti, led the BBC Symphony Chorus and Orchestra alongside the vocal Epiphoni Consort in an all-Italian programme for this Prom (I see numbers seem to have…
PROMS 2026: Mixed Performances from the BBC Scottish Symphony Orchestra and Ryan Wigglesworth in Dean, Elgar & Weir
Two contemporary works and “the greatest symphony of modern times” gave an opportunity for the BBC Scottish Symphony Orchestra to show off their credentials in the first of four Proms appearances. They…
PROMS 2026: From the Alps to the Auvergne
Nature and music are so interconnected – from Bach, Beethoven, and Tchaikovsky to name just three composers – that this Prom, From the Alps to the Auvergne, took three markedly different…
PROMS 2026: The CBSO and Kazuki Yamada Pay Tribute to John Adams at the BBC Proms
Bruckner, Sibelius, John Adams: you only need to hear a snatch or two of their writing to recognise the composer in question. In the case of Adams, the label of…
PROMS 2026: The Great Known Unknown: Ryan Bancroft Views the Afterlife with BBC Welsh Forces
When that final cut-off point arrives, when the Great Reaper pays us all the inevitable visit, are we really any the wiser as to the next step, what follows, what…
PROMS 2026: Noseda returns to the BBC Philharmonic at the Proms
Plus ça change, plus c’est la même chose: Beethoven’s Ninth at the Proms. A regular annual fixture, for a long time it occupied the final Friday before the Last Night,…
PROMS 2026: A Transatlantic Brew for the First Night of the Proms
Festivities began no more obviously than with Copland’s three-minute Fanfare for the Common Man, one of ten declamatory works prompted by Eugene Goosens. His request to score the piece for brass…
Wolf Trap Opera Salon Series With a Sweet Twist: Sophia Maekawa and Daniel O’Hearn
At the beginning of July, Wolf Trap Opera continued its Salon Series with a recital containing two very different presentations. Mezzo-soprano Sophia Maekawa began the program with a set of…