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Dallas Opera Teams with San Diego Opera

Is Tamar Iveri’s career over?

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Recent Posts

Hérold’s Le pré aux clercs (1832), a Missing Link between Rossini and Offenbach, Done to Perfection
Gounod’s Early Mastery in Opera and Sacred Music: World-premiere recordings of scenes and choral works
Bartók’s Bluebeard’s Castle, impressively shaped by Susanna Mälkki
A Soldier’s Tale for our time: a captivating new film from the Hallé
A magical marriage of Occident and Orient: Fleur Barron at Leeds Lieder

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