By Rupert Christiansen [The Telegraph, 29 May 2015]
La BohËme, Tosca, Madama Butterfly – and oh yes, “the one with ‘Nessun dorma’ in it”, Turandot – make Puccini the world’s most popular opera composer, and one who earns ever more admiration as a musical dramatist and expressive melodist. Is there still some residual snobbery about his genius? Thirty years ago, I remember being shocked to hear William Walton confess in a television interview that in old age, he had come to love Puccini’s music even more than Verdi’s. Now I begin to sympathise.
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