Itís clear today that Chinaís Cultural Revolution has led to a cultural revolution that ó in music at least ó has made the countryís artists frontrunners on the international scene.
Author: Gary Hoffman
JAN¡?EK: Jen?fa
In an evening brimming with sublime performances, Anja Siljja took grasp of her dramatic prowess and left us breathless, yearning for more. At the most sacred opera house in Italy, and perhaps the world, Jan·?ekís opera was thrillingly presented and is an example of our beloved genre at its finest.
Carlos Cogul: Introduction
Carlos Cogul is a London vocal coach and an appreciated baritone giving many a recital ÖÖin the London Tube while commuters hastily pass by to catch their trains. Judging from the photo on this CD he is not a young man any more.
ROSSINI: Bianca e Falliero
The choice between this recording made at the Pesaro Festival in August 2005 and the Opera Rara recording of 2000 will partly be made for non-musical reasons.
Jan Neckers on Recently Reissued Historicals
Almost thirty years ago a century old tradition ended with the last performance of I Maestri Cantatori.
MARSCHNER: Der Templer und die J¸din
Der Templer und die J¸din, Grosse romantische Oper in three acts.
Stressed Opera Singers Turn to Drugs
http://hosted.ap.org/dynamic/stories/O/OVERDOSED_OPERA?SITE=NJMOR&SECTION=HOME&TEMPLATE=DEFAULT
Kate Royal and Christine Rice, Queenís Hall, Edinburgh
http://www.ft.com/cms/s/2/7bcd8f38-4ffd-11dc-a6b0-0000779fd2ac.html
Glimmerglass Opera 2007 ó An Overview
Glimmerglass Opera is in a watershed year. With the departure of Paul Kellogg, who had considerable success developing that annual festival, General and Artistic Director Michael Macleod has chosen to begin his tenure with a variation on the usual four-opera-season, namely a thematic collection
of pieces based on the “Orpheus” legend. “Don’t look
back” is the marketing catch phrase.