The Opera Lafayette of Washington DC has been engaged in a new project this season – the Armide Project, as the group dubbed its ambitious plan, in collaboration with the University of Maryland Opera Studio, to present two great operas set to the same celebrated Philippe Quinault libretto.
Author: Gary Hoffman
EMI shares plunge on second warning
http://www.ft.com/cms/s/a9bdc5ea-bc26-11db-9cbc-0000779e2340,_i_nbePage=bbb5d774-d441-11da-a357-0000779e2340.html
SAMMARTINI: Della Passione di Gesú Cristo; L’addolorata Divina Madre.
Giovanni Battista Sammartini (c.1700-1775) belongs to that shadowy generation of Italian composers who no longer composed in the high Baroque style, but had adopted the clarity, simplicity and regularity that would serve as the building blocks for the Viennese masters of the late eighteenth century, and thus were tagged with the rather pejorative label “pre-classic” (a plague on all those music historians who can only see musical style in terms of progress leading to their particular figure of veneration!).
Dust-bowl opera overwhelming at Minnesota premiere
The great American opera? Ricky Ian Gordon’s “Grapes of Wrath” might be it.
Steinbeckís Suffering Okies Head West, Operatically
http://www.nytimes.com/2007/02/12/arts/music/12grap.html?ref=music
Star Power, Charisma and Ardor in ëOneginí
http://www.nytimes.com/2007/02/12/arts/music/12oneg.html?_r=1&ref=music&oref=slogin
Nachruf: Bei ihm war Oper stets hochexplosiv
http://www.diepresse.at/home/kultur/klassik/109808/index.do?_vl_backlink=/home/kultur/klassik/index.do
All the Rage: ‘Otello,’ ‘Die Walkure’ and Pianists Par Excellence
http://www.washingtonpost.com/wp-dyn/content/article/2007/02/09/AR2007020900535.html
The Handel Singing Competition 2007 – Win or Lose?
Singing competitions are a mixed blessing.