For its landmark Fiftieth Anniversary Season, the Glimmerglass Festival is to be heartily commended for commissioning a bold new work, The House on Mango Street, by composer Derek Bermel, who also…
Author: James Sohre
Revolutionary Rake at Glimmerglass
If you were expecting a Hogarth-pretty version of Igor Stravinsky, W.H. Auden and Chester Kallman’s The Rake’s Progress at the renowned Glimmerglass Festival, you were at the wrong address. For…
Vintage Sondheim in Upstate New York
For its annual American musical presentation, Glimmerglass Festival lovingly staged a scintillating production of Stephen Sondheim and James Lapine’s Sunday in the Park with George. It is hard to believe…
Glimmerglass Tosca: A Daring Leap
To open its Fiftieth Anniversary Season, Glimmerglass Festival opted for a reliable potboiler, Puccini’s Tosca, but with a contemporary twist. Rather than setting it in its scripted time period of…
DMMO’s Dutch Treat
It proved to be smooth sailing as Des Moines Metro Opera thrillingly met the substantial challenges of Wagner’s seminal work, The Flying Dutchman. They started by assembling a nonpareil cast…
Stunning Cunning Vixen in Iowa
Given the miraculously spellbinding production of Janáček’s The Cunning Little Vixen at Des Moines Metro Opera, New Mexico just may have to cede its motto: Land of Enchantment. There is…
Des Moines: A Rake to Remember
Des Moines Metro Opera has advanced its record for excellence with a musically resplendent, visually rich, wholly riveting production of Stravinsky’s multi-faceted piece, The Rake’s Progress. The glories in store…
At Fifty, OTSL Comes Full Circle with Don Pasquale
Opera Theatre of Saint Louis is celebrating fifty fabulous years with this festival, and by returning to the first opera it ever presented, Don Pasquale, it has mined anniversary gold.…
Haunting House in the Gateway City
With its stylish festival level performance of the fiercely original piece, This House, Opera Theatre of Saint Louis continues its almost unrivaled record for commissioning and staging World Premieres. This…
Saint Louis Strauss Drives Audiences Batty
Unrelenting, raucous animation was the salient characteristic that pervaded Opera Theatre of Saint Louis’ lively version of that evergreen favorite, Die Fledermaus (The Bat), and the capacity audience roared in…