Composer Gabriela Ortiz studied composition in Mexico City with Mario
Lavista at the National Conservatory of Music, at the Guildhall School with
Robert Saxton, and at the University of London with Simon Emmerson.
Category: Interviews
Gabriela Ortiz — An Interview
Kerry Andrew — An Interview
Kerry Andrew is a young British composer who seems to have her finger in an astounding number of pies, from modern sacred choral music to alt-folk, and including vocal chamber ensemble music and jazz. We talked via Skype on Jan. 12, 2010.
Neal Goren of Gotham Chamber Opera: An Interview
The thing you need in order to start an arts organization, even more than a
great deal of money, is a whirlwind – an individual with unstoppable
energy who can put it all together and keep it working through thin times and
thick.
An interview with Hilary Hahn
American violinist Hilary Hahn has entered her fourth decade, having turned
thirty last year, and for her eleventh disc she takes on a collaborative role,
as obbligatist in a program of Bach cantata arias with soprano Christine
Sch‰fer and baritone Matthias Goerne, accompanied by the M¸nchener
Kammerorchester under the direction of Alexander Liebreich.
An Interview with Ricardo Zohn-Muldoon
Composer Ricardo Zohn-Muldoon is presently on the faculty of the Eastman
School of Music in Rochester, New York. He grew up in Guadalajara, Mexico,
where he and colleague Carlos Sanchez-Gutierrez played in a rock and roll band
together.
An Interview with William Price
Composer William Price was born in Missouri (1971) and raised in Alabama, where he is presently professor of music theory at the University of Alabama at Birmingham.
An Interview with John Fitz Rogers
John Fitz Rogers is presently an associate professor of composition at the University of South Carolina School of Music.
An Interview with Ileana Perez-Velazquez
An Interview with Ileana Perez-Velazquez
By Tom Moore
Anne Ozorio Interviews Ingo Metzmacher on Die tote Stadt
Erich Korngold’s Die tote Stadt comes to the Royal Opera House in January 2009. It’s the first time this production has been seen in London : it is the famed Willy Decker production from Salzburg in 2004 which did so much to restore Korngold’s status.
Tom Moore Interviews Mark Engebretson
A virtuoso saxophonist, performing internationally, Mark Engebretson is also a composer whose recent works often take place at the interface between the live performer and the computer.