The Handel Singing Competition has announced its 13 semi-finalists who will be competing in the 2019 Competition. The semi-final is due to take place on 5 March at Grosvenor Chapel, and the final is on 6 April at St George’s, Hanover Square – both in front of a live audience. The Competition this year received over 170 applications from all around the world, from 25 countries as far afield as Argentina, Australia, Israel, the United States and Canada.
Category: Commentary
Longborough Festival Opera founders to receive Wagner Society award
The Wagner Society has announced that Longborough Festival Opera co-founders Martin and Lizzie Graham will receive its prestigious Reginald Goodall Award, which recognises individuals who have been of outstanding service to Wagner and his music.
Six Charlotte Mew Settings: in conversation with composer Kate Whitley
Though she won praise from the literary greats of her day, including Thomas Hardy, Virginia Woolf, Ezra Pound and Siegfried Sassoon, the Victorian poet Charlotte Mew (1869-1928) was little-known among the contemporary reading public. When she visited the Poetry Bookshop of Harold Monro, the publisher of her first and only collection, The Farmer’s Bride (1916), she was asked, “Are you Charlotte Mew?” Her reply was characteristically diffident and self-deprecatory: “I’m sorry to say I am.”
“It Lives!”: Mark Grey ‘re-animates’ Mary Shelley’s Frankenstein
“It lives!” So cries Victor Frankenstein in Richard Brinsley Peake’s Presumption: or the Fate of Frankenstein on beholding the animation of his creature for the ?rst time. Peake might equally have been describing the novel upon which he had based his 1823 play which, staged at the English Opera House, had such a successful first run that it gave rise to fourteen further adaptations of Mary Shelley’s 1818 novella in the following three years.
Bampton Classical Opera Young Singers’ Competition 2019
Applications will open on March 1, 2019 for Bampton Classical Opera’s fourth biennial Young Singers’ Competition. The competition was launched in 2013 to celebrate the company’s 20th birthday. It is now well established and identifies, rewards and nurtures some of the country’s most talented young professional singers aged 21-32 and their accompanists.
Independent Opera & Britten Sinfonia celebrate bicentenary of Queen Victoria & Prince Albert’s births
To celebrate the bicentenary of Queen Victoria and Prince Albert’s births in 2019, Independent Opera (IO) and Britten Sinfonia present the first public performance of Joby Talbot’s new cantata A Sheen of Dew on Flowers on Thursday 11 April at the Barbican.
English National Opera to reprise its 5* production of Paul Bunyan at the historic Alexandra Palace Theatre
Following its sell-out success at Wilton’s Music Hall in September 2018, English National Opera’s acclaimed production of Benjamin Britten’s Paul Bunyan will be revived in May at the equally historically remarkable venue of Alexandra Palace Theatre.
Glyndebourne celebrates 25 years of its award-winning opera house in 2019
Unveiled in 1994, the new auditorium increased capacity by 50% to 1,200 seats and significantly improved backstage facilities. This allowed more people to enjoy world-class opera at Glyndebourne and enabled the company to stage bigger and more ambitious productions in the years that followed.
Garsington Opera’s 30th anniversary season: four new productions including an Offenbach premiere
Garsington Opera’s 30th anniversary season will feature four new productions – the UK stage premiere of Offenbach’s Fantasio, Smetana’s The Bartered Bride, Mozart’s Don Giovanni and finally Britten’s The Turn of the Screw.
Christina Scheppelmann appointed General Director of Seattle Opera
Scheppelmann heads to the Pacific Northwest following leadership roles in the U.S., Europe, and the Middle East