Manon Lescaut in Lyon

If you want Italian opera go to Italy and hope for the best — like conductor Daniel Oren’s Manon Lescaut two years ago in Genoa.

Heidelberg’s Stumbling Spartaco at Schwetzingen Castle

For those who might be seeking a representational tale of the legendary Roman slave Spartacus, well, Gladiator this ain’t.

CosÏ fan tutte, Covent Garden

First seen in 1995, and here receiving its seventh revival, Jonathan Miller’s CosÏ fan tutte has lost none of its power to unsettle and discomfort.

Parsifal on the Cote d’Azur

Parsifal had its first performances in Bayreuth in 1882 where it was soon seen by Wagner’s soul mate Friedrich Nietzsche. And there the friendship ended.

Shohat’s The Child Dreams — A mature work

Gil Shohat, now 35 and Israeli’s top classical composer, was 15 when
in the ‘80s he saw Hanoch Levin’s The Child Dream on stage in his native Tel Aviv. Shohat, of course, knew Levin’s work well, for throughout early decades in the history of Israel he — its outstanding dramatist — had served somewhat as the conscience of a nation tormented defining itself within its pain-wrought beginnings.

Joyce DiDonato, Wigmore Hall

The Wigmore Hall was bursting its seams in excited anticipation of this recital by the American mezzo-soprano, Joyce DiDonato.

Lyric Opera of Chicago’s The Merry Widow

Melodic and scenic gaiety predominates in Lyric Opera of Chicago’s new
production of Franz Leh·r’s The Merry Widow.

Simon Boccanegra, New York

The Times used to have a music critic who seemed to feel that singing,
especially in costume, didn’t count as serious music, though he reviewed
opera anyway.

London’s Rambunctious Rake

Covent Garden has revived director Robert Lepage’s popular and well-traveled version of The Rake’s Progress with often thrilling results.

Dido and Aeneas by Les Arts Florissants

We all wish Henry Purcell had written a few more operas like Dido and
Aeneas
— simple to cast, simple to stage, offering endless
possibilities for either reserved or outrageous treatment, attractive to every
sort of audience.