GIORDANO: Andrea ChÈnier

A socially conscious artist, caught in the violent gyrations of a country in revolution and war, awaits execution.

Handel Unwrapped by Scottish Opera: ìTamerlanoî at tea-time

On a cold, wet and dark Glasgow evening in November, some 500 brave souls received what was possibly their first taste of baroque opera.

BELLINI: I Capuleti e i Montecchi

It only takes a few moments for the overture to Vincenzo Bellini’s I Capuleti e i Montecchi to establish that this opera takes a very different approach to the classic story than does Shakespeare’s play.

PUCCINI: Manon Lescaut

This beautiful production premiËred in 1980 and was the first live-telecast from the Met internationally relayed.

MERCURIO: Many Voices

Conductor Steven Mercurio appears to have made a highly favorable impression on singers in his career so far (some of the following info comes from his website, http://stevenmercurio.com/).

PUCCINI: Edgar

Iím surprised that such an eminent musicologist as Julian Budden, in his interesting essay accompanying the recording, still lays the blame for the relative failure of Edgar at the librettistís feet.

ROSSINI: La Cenerentola

Putting the “grim” into a classic fairy tale (whether the Brothers Grimm’s or not), this Glyndebourne La Cenerentola from the 2005 festival season establishes a drab, dark mood in its first scenes.

Triumph over Adversity

LONDON ñ the fledgling Independent Opera Company takes on Orlando.

VIVALDI: Sacred Music 2

A recording of the complete sacred music of Antonio Vivaldi is a welcome prospect, not least because it offers an opportunity to go beyond the fame and familiarity of Vivaldiís concertos and the ubiquitous ìGloria.î

Franco Corelli: The 1971 Tokyo Concert

A friend who bought this issue grumbled that Dynamic had swindled him out off his money as the whitewashed, less than sharp picture quality is not much better than the pirate issue he once received from a correspondent.