Bavarian State Opera’s recent staging of Der Ring des Nibelungen was often a restless, even reckless affair, but there is no denying its substantial musical assets.
Category: Performances
Hugo Wolf, Wigmore Hall
Fun and Hugo Wolf ? Wolf’s songs are the epitome of art song, due great reverence. But they’re also vibrant with good-hearted wit. This latest concert in Julius Drake’s ongoing “Perspectives” series at the Wigmore Hall brought together Sophie Daneman, Ian Bostridge and Julius Drake, all of whom have been working together for many years. The chemistry was almost palpable.
Charpentier’s Medea at ENO
In 1704, 11 years after its first performance in 1693 before the royal court
of Louis XIV, and 17 years after the death of Lully — and at a time when
the relative merits of respective French and Italian aesthetics were constantly
and fiercely being debated — Marc-Antoine Charpentier’s MÈdÈe was
condemned by the ‘Lullist’ faction, who were determined to defend
their leader’s guardianship of the tragÈdie en musique, as an
‘abomination’: hard, dry and characterised by excess.
Stuttgart: Too Hot to Handel
With its staging of Alcina, Stuttgart Opera seems to set out to prove that George Friedrich Handel can be all ‘sexypants.’
Elektra in Marseille
Sadistic revenge and sadistic challenge in equal parts. You know the story — if Oreste had not slaughtered his mother Elektra would have. And did over and over in nearly two hours of raving about killing her mother. Elektra is one of the repertory’s more beloved operas.
Palm Beach Opera Celebrates New Season
Palm Beach Opera opened its new season with the opera that began it all, La Traviata.
Bernarda Fink Residency, Wigmore Hall
For the first of her two February recitals at the Wigmore Hall, the
Argentinean mezzo-soprano Bernarda Fink was joined by the Hugo Wolf Quartett in
an eclectic, Italian-themed programme in which singer and instrumentalists
sculpted diverse and beautiful musical vistas and communicated a remarkably
coherent, shared vision.
Erik Satie, Socrate and Igor Stravinsky. Renard and other works
This concert was part of a greater weekend of concerts at the Southbank
Centre looking at Paris during the second and third decades of the twentieth
century, the weekend itself part of the year-long Rest is Noise
season.