From the sublime (Parsifal, the night before) to the not-even-ridiculous.
Category: Performances
Opera Colorado’s ‘mermaid’ tremendous
The story is ages old, and every culture has a version of it: the mythic
princess of an underwater realm longs for the love of a mortal man.
The Chill of Grace: A Winter Weekend at COC
At the moment, it seems inevitable that John Adams’ 1987 opera Nixon in China will become a fixture in the repertoire.
Egyptian Queen in Parisian Rubble
Although Paris OpÈra’s Dream Team of soprano Natalie Dessay and director Laurent Pelly promised much for the SRO run of Giulio Cesare in Egitto, for the moment we will have to keep dreaming of what might have been.
Don Pasquale, New York
Witty and airy as an after-dinner anecdote over biscuits and cognac, Don
Pasquale (1844) is, unlikely as it may seem, almost the last opera Donizetti
completed before his descent into the madness of tertiary syphilis.
Turandot, Florida Grand Opera
In 2010, Florida Grand Opera held a gala to honor Robert Heuer on his 25th
anniversary as general director.
Nixon in China, New York
Preparing for the Met premier of Nixon in China, I resolved to
forget—or place on hold—everything I remembered, or thought I
remembered, about the real persons who are characters in this opera,
Turandot, San Diego
The original story that formed the basis for the libretto of Puccini’s
opera Turandot told of a Mongolian princess who insisted that any
prospective husband endeavor to win a wrestling match with her.
Magdalena Kozen·, Wigmore Hall
It’s a rare recital that can be at one and the same time intensely
intimate and extravagantly exuberant, but that’s just what Magdalena
Kozen· and the eight-piece Austrian ensemble Private Musicke achieved in this
fascinating and exhilarating concert, which brought a thrill of passion,
spontaneity and excitement to the usually more restrained and rarified
atmosphere of the Wigmore Hall.
Les Contes d’Hoffmann, Florida Grand Opera
If you are ever lucky enough to have the opportunity to catch a great exponent of just one of two major roles — the heroines or villains — in Offenbach’s Les Contes d’Hoffmann, you should secure a seat maintenant.