The boo’s were boisterous when director/designer Achim Freyer came on stage at the end of Gˆtterd‰mmerung in Los Angeles’ Dorothy Chandler Pavilion on April 3.
Category: Performances
Il Turco in Londra
It may be possible that there is no more effervescent entertainment on stage
in London now than the tirelessly clever revival of Il Turco in
Italia now playing at the Royal Opera House.
Hamlet, New York
Design is rotten in Denmark, evidently — and in every other grand
opera locale. “Palace” has come to mean “high school
basement,” or that’s what they look like. “Royal” is
synonymous with sleazy men in suits.
A Composer Grows before his Work — The Grapes of Wrath at Carnegie Hall
Many congratulations and thanks are in order to the Collegiate Chorale for
bringing Ricky Ian Gordon’s adaptation of The Grapes of Wrath to New York audiences this week.
Christianne Stotijn at the Wigmore Hall
Unlike instrumental players, singers “are” their instrument. They aren’t machines. Performance is affected by many shifting factors, which need to be understood.
Angels in America, Eˆtvˆs at the Barbican for the BBC
Angels in America, Peter Eˆtvˆs’s opera based on the Tony Kushner plays, received its London premiere. This was very high profile. David Robertson conducted the BBC Symphony Orchestra in a performance that will be broadcast internationally, online on www.bbc.co.uk/radio3.
Genoveva — Schumann at UCL Opera, London
Genoveva and Lohengrin both premiered in the summer of 1850. Wagner disparaged Schumann, as he disparaged Mendelssohn (Schumann’s hero). Wagner’s opinions were influential. Genoveva has been eclipsed, saddled with a reputation for being hard to stage.
Regieoper with a twist in Dresden Ring
Yes, the complete Ring des Nibelungen currently on stage at Dresden’s Semper Opera qualifies as Regieoper, but it’s Regieoper with a twist.
Changing conductors bring color to Dresden Ring
It was a bit of intrigue that recalled the Wagners at home back in Bayreuth’s Haus Wahnfried.