Category: Performances

Bizet’s famed heroine Carmen returned this June to the place where it all began, in a critically-heralded new production by Adrian Noble. Frank Cadenhead was on hand to experience the staging held at the opulent newly-renovated OpÈra Comique.

It’s not often that the accompanist is given top billing in a vocal recital, even when he’s the venue’s musical director.

Glyndebourne is the epitome of British opera festivals. Seventy-five years ago, John Christie founded the tradition of “country house opera”, where opera can be enjoyed in beautiful settings.

On the whole, I’d prefer the conspirators to be sitting on toilets…

With Gˆtterd‰mmerung, a co-production with the Kˆln Opera House created by Robert Carsen (stage direction), Patrick Kinmonth (sets and costumes) and
Jeffrey Tate (conductor), La Fenice approaches completion of the
Ring cycle.

Four years have passed since the most celebrated American soprano of recent times, RenÈe Fleming, graced the stage at Covent Garden, in Elijah Moshinsky’s classic production of Otello.

Le Grand Macabre is the only opera of Gyˆrgy LigÈti, one of the
major composers of the 20th century.

Much ink has been spilled over the failed Marta Domingo production of La
Traviata that San Francisco Opera inexplicably imported for its blatantly
audience baiting summer season (Traviata, Tosca, Porgy and Bess).

Amato Opera went to the netherworld of expired extravaganzas this spring, a
one-man operation whose one man was weary. As New York’s oldest
down-the-block and semi-pro company, it’s loss was regrettable —
though it’s many years since Amato gave up doing interesting repertory.

It is quite possible that Opera Theatre of Saint Louis is the leading summer opera destination in the United States.