Prom 51 ó St. John Passion

Sunday 24th August at the Proms promised a day dedicated to the music of Bach, beginning with an organ recital in the afternoon by Simon Preston and ending with a late-night performance of the first three of the six Cello Suites by Chinese cellist Jian Wang by way of a palate-cleanser.

The Second to Last Night of the Proms – Beethoven’s 9th Symphony

The Last Night of the Proms is notorious because it’s an excuse for jingoistic excess.

Prom 70 ó St FranÁois d’Assise

Even a concert performance of Messiaen’s St FranÁois d’Assise could hardly fail to be an event.

ìGreat Performancesî remembers Pavarotti ó What remains is the voice.

Luciano Pavoritti died on September 6, 2007. The all-too-ample figure and the fables associated with him are already retreating from memory.

Cecilia Bartoli at the Musikverein Wien

Every time an artist walks onto the performance stage, he or she attempts to give the performance of their lives, focusing on everything they have learned prior to, and giving of themselves in an unprecedented way.

Prom 68 ó Russian Fairy Tales from Rimsky-Korsakov and Stravinsky

Kashchey is a gnarled old ogre who imprisons a beautiful young princess in his gloomy underworld. It’s classic psychodrama. Kashchey has supernatural powers, so how can the Princess be saved ?

The Coronation of Poppea

The startup of a new opera company is always cause for cheering; it is getting harder and harder (that is, more and more expensive) to do, especially in New York.

Prom 64 ó Rattle conducts the Berlin Philharmonic in Messiaen’s Turang‚lÏla-symphonie

Because Turang‚lÏla is such a panorama, taking in Hollywood, Hindus and Peruvians, Wagner and Gurrelieder, it’s easy to assume it’s all surface Technicolor.

Shadowless in Amsterdam

The Netherlands Opera opened its season at the Muziektheater with a stunning new production of Die Frau ohne Schatten, setting the bar very high indeed for all that is to follow in the repertoire.

HANDEL: Belshazzar

Although performances of Handel’s more obscure large-scale works are relatively common in London, it is far less common that they are given in a venue as large and high-profile as the Royal Albert Hall, with a line-up of conductor and soloists that will attract a full house for a lengthy and static work on a hot summer evening.