Aida at ENO

After the marketing gimmickry of Sally Potter’s production of Carmen, and a dance-based Poppea set at the bottom of the sea, it did not bode well when the advertising for ENO’s latest
production included an interactive dress-up doll circulated by email.

Macbeth in Istanbul

Attending the opera may not be the first thing you think of when visiting Istanbul, but opera is to be found (if less well advertised than the local Bach Festival) at the Ataturk Cultural Center on Taksim Square, the heart of modern Istanbul.

ìThe Sacrificeî ñ Welsh National World Premiere Tour

Welsh National Operaís new opera ìThe Sacrificeî, composed by James MacMillan with libretto by Michael Symmons Roberts, and directed by Katie Mitchell, is an emotionally raw and compelling study of the nature of conflict, and how humans are changed by it.

Macbeth at the Met

Verdi, a born skeptic where the supernatural is concerned, did not seem to know quite what to do with the witches in Macbeth and was far too loyal to Shakespeare to reduce their role ñ he knew how closely the play was bound to them, famous for them.

Le Nozze di Figaro ñ Metropolitan Opera

Le Nozze di Figaro, in 1786, was the longest and most elaborate opera buffa ever composed and (though it is seldom given complete) is still the longest you are likely to see in the regular repertory.

Houston pays homage to opera’s living legends

Although seriously ill, Beverly Sills and Luciano Pavarotti were still very much alive when general director Anthony Freud in his second year in this position planned the 53rd season of the Houston Grand Opera.

Verdiland Revisited

Since his appointment as general manager of Parma’s Teatro Regio in August 2005, Mauro Meli didn’t conceal his ambitious plans for growth.

Preparing G.B. Pergolesi’s tercentenary — with a fair advance

A notice for organizers: it’s relatively easy to produce a vocal recital and sell out a large house
for two nights in a row.

This “Swallow” Makes November Summery

It’s somewhat of a mystery why Puccini’s 1917 “La Rondine” is such a neglected, rarely-performed opera.

The 17th Bienal of Contemporary Brazilian Music

The 17th Bienal of Contemporary Brazilian Music [XVII Bienal de M˙sica Brasileira Contempor‚nea] began on Sunday, Oct. 21, 2007 at the Sala Cecilia Meireles, Rio’s leading concert hall, with a lengthy program divided between six orchestral works, entrusted to the National Symphony Orchestra of the Universidade Federal Fluminense, based in Niteroi, RJ and three works for percussion, interpreted by the Dynamo Percussion Quartet.