New from Albion, Time and Space: Songs by Holst and Vaughan Williams, with Mary Bevan, Roderick Williams, William Vann and Jack Liebeck, highlighting the close personal relationship between the two composers.
Category: Recordings
Puccini’s Le Willis: a fine new recording from Opera Rara
The 23-year-old Giacomo Puccini was still three months from the end of his studies at the Conservatoire in Milan when, in April 1883, he spotted an announcement of a competition for a one-act opera in Il teatro illustrato, a journal was published by Edoardo Sonzogno, the Italian publisher of Bizet’s Carmen.
Liszt: O lieb! – Lieder and MÈlodie
O Lieb! presents the lieder of Franz Liszt with a distinctive spark from Cyrille Dubois and Tristan RaÎs, from ApartÈ. Though young, Dubois is very highly regarded. His voice has a luminous natural elegance, ideal for the MÈlodie and French operatic repertoire he does so well. With these settings by Franz Liszt, Dubois brings out the refinement and sophistication of Liszt’s approach to song.
The Academy of Ancient Music’s superb recording of Handel’s Brockes-Passion
The Academy of Ancient Music’s new release of Handel’s Brockes-Passion – recorded around the AAM’s live performance at the Barbican Hall on the 300th anniversary of the first performance in 1719 – combines serious musicological and historical scholarship with vibrant musicianship and artistry.
Vaughan Williams: The Song of Love
From Albion, The Song of Love featuring songs by Ralph Vaughan Williams, with Kitty Whately, Roderick Williams and pianist William Vann. Albion is unique, treasured by Vaughan Williams devotees for rarely heard repertoire from the composer’s vast output, so don’t expect mass market commercial product. Albion recordings often highlight new perspectives.
A new recording of Henze’s Das Flofl der Medusa
Henze’s Das Flofl der Medusa is in some ways a work with a troubled and turbulent history. It is defined by the time in which it was written – 1968 – a period of student protest throughout central Europe. Its first performance was abandoned because the Hamburg chorus refused to perform under the Red Flag which had been placed on stage; and Henze himself decided he wouldn’t conduct it at all after police stormed the concert hall to remove protesters, among them the librettist Ernst Schnabel.
Berthold Goldschmidt: Beatrice Cenci, Bregenzer Festspiele
Berthold Goldschmidt’s Beatrice Cenci at last on DVD, from the Bregenzer Festspiele in 2018, with Johannes Debus conducting the Wiener Symphoniker, directed by Johannes Erath, and sung in German translation.
Sandrine Piau: Si j’ai aimé
Sandrine Piau and Le Concert de la Loge (Julien Chauvin), Si j’ai aimé, an eclectic collection of mélodies demonstrating the riches of French orchestral song. Berlioz, Duparc and Massenet are included, but also Saint-Saëns, Charles Bordes, Gabriel Pierné, Théodore Dubois, Louis Vierne and Benjamin Godard.
The VOCES8 Foundation is launched at St Anne & St Agnes
Where might you hear medieval monophony by the late 12th-century French composer PÈrotin, Renaissance polyphony by William Byrd, a vocal arrangement of the stirring theme from Sibelius’s tone poem Finlandia, alongside a newly commissioned work, ‘Vertue’ (2019) by Jonathan Dove, followed by an arrangement of the Irish folksong ‘Danny Boy’ and a snappy rendition of Antonio Carlos Jobim’s ‘One Note Samba’ arr. for eight voices by Naomi Crellin, all within 90 minutes?
Gerald Finzi Choral Works
From Hyperion, Gerald Finzi choral works with the Choir of Trinity College, Cambridge, conducted by Stephen Layton. An impressive Magnificat (1952) sets the tone.