Category: Recordings

“Si vous vouliez un jour…” Volume 2 of the series Airs SÈrieux et ‡ boire, with Sir William Christie and Les Arts Florissants, from Harmonia Mundi, following on from the highly acclaimed “Bien que l’amour” Volume 1. Recorded live at the Philharmonie de Paris in April 2016, this new release is as vivacious and enchanting as the first.

World premiere recording from Supraphon of Bohuslav Martin? What Men Live By (H336,1952-3) with Ji?Ì B?lohl·vek and the Czech Philharmonic Orchestra from a live performances in 2014, with Martin?’s Symphony no 1 (H289, 1942) recorded in 2016. B?lohl·vek did much to increase Martin?’s profile, so this recording adds to the legacy, and reveals an extremely fine work.

Hector Berlioz Harold en Italie with FranÁois-Xavier Roth and Les SiËcles with Tabea Zimmermann, plus StÈphane Degout in Les Nuits d’ÈtÈ from Hamonia Mundi. This Harold en Italie, op. 16, H 68 (1834) captures the essence of Romantic yearning, expressed in Byron’s Childe Harold’s Pilgrimage where the hero rejects convention to seek his destiny in uncharted territory.

Belgian soprano Sophie Karthaüser’s latest song recital is all about the animal kingdom. As in previous recordings of songs by Wolf, Debussy and Poulenc, pianist Eugene Asti is her accompanist in Le Bal des Animaux, a delightful collection of French songs about creatures of all sizes, from flea to elephant and from crayfish to dolphin.

This is the fifth CD in a series devoted to Ravel’s orchestral works.

This recording of Ravel’s second (and last) one-act opera was made during a concert, and -somewhat daringly – with rather close microphone placement. As it turns out, everything went smoothly.

Halévy’s La reine de Chypre (The Queen of Cyprus) is the 17th opera to be released in the impressively prolific “French Opera” series of recordings produced by the Center for French Romantic Music, a scholarly organization located at the Palazzetto Bru Zane in Venice. (Other recent offerings have included Saint-Saëns’s richly characterized Proserpine, Benjamin Godard’s fascinating Dante–which contains scenes set in Heaven and Hell–and Hérold’s Le pré aux clercs, an opéra-comique that had a particularly long life in the international operatic repertoire.)

This recording on the Gimell label, the seventh of nine in a series by the Tallis Scholars which will document Josquin des PrÈs’ settings of the Mass (several of these and other settings are of disputed authorship), might be titled ‘Sacred and Profane’, or ‘Heaven and Earth’.

From Decca, Jan·?ek classics with Ji?Ì B?lohl·vek conducting the Czech Philharmonic Orchestra. Given that B?lohl·vek died in May 2017, all these recordings are relatively recent, not re-issues, and include performances of two new critical editions of the Glagolitic Mass and the Sinfonietta.